Quimbaya Artifacts – Did Airplanes exist 1000 Years ago?

Hey guys, today, let us take a look at these strange golden artifacts in Colombia, which look like modern day airplanes.  Yes, these are ancient artifacts created around 1000 years ago, and it is impossible not to think of airplanes when you see this. Not just one or two, there are seventeen strange artifacts which look like flying machines, displayed at the Gold Museum in Colombia. Remember many ancient texts around the world talk about aircraft and spacecraft, ancient Indian texts call them Vimanas.  I have shown you several similarities between India and Colombia in my previous videos, even about the God of Gold. But What do mainstream archeologists say about these gold airplanes?

Archeologists claim that all these artifacts represent birds. But there is a not a single species of bird which has wings attached to its bottom. In all birds, wings are always attached at the top. So these are not birds. But in modern airplanes, we can see something spectacular – see how the wings are attached at the bottom? See how similar this design is, to the golden airplanes. . If you compare them side by side, the design is uncannily similar to one another. Another important difference is the tail. Look at the tails of these gold artifacts. These have vertical tails, pointing up, like modern aircraft. No bird has vertical tail like this, all birds have horizontal tails, which point sideways.

Even more important, biologists agree that there are no animals or birds  which look like this. Some experts claim that these were just rudimentary models of birds,  with errors in details, because ancient Colombians would not have paid attention to details. But I found that this is not true at all, because the most important detail is found in the Gold Museum itself. There are actual figurines of birds found in the same museum, created by the same ancient people. This is how they look. You can tell immediately that they are birds, they have eyes, they have beaks and they have actual curvy wings and horizontal tails. So to pretend that the ancient Colombian people were just making these rudimentary bird models is a false argument. Here is another bird and see how it looks. Notice how the details clearly show the wing is attached at the top of its body and its tail is pointing sideways, sharply contrasted to the airplanes. This is why most people call them ‘Quimbaya Airplanes’ because these were found in an ancient civilization called Quimbaya.

But do these quimbaya airplanes merely look aerodynamic? Or can they actually fly? About 20 years ago, 2 engineers made a bigger model of these planes and put some controls inside, and it flew like a regular airplane.

This is conclusive evidence that ancient Colombians were making models of flying machines, more than a thousand years ago.  even though we read that wright brothers invented airplanes just a 100 years ago.

But how is such technology possible in ancient times? All historians and archeologists maintain that Ancient Colombians were primitive people without advanced technology. If flying machines existed in ancient Colombia, then shouldn’t there be more evidences of advanced technology? How about this object in the same museum? It shows multiple wheels within a larger wheel, looking very similar to a modern gear system. There are concentric wheels, just like what we use today. These look like small scale models of various gear systems. There are wheels in the gold museum, even though experts maintained that ancient people of Colombia did not use wheels. Mainstream experts believe there are just fancy ornaments.  There are gears, there are spindles with teeth and without teeth. Some of them look like coils, just like the coils we use for electricity in modern times.  And not just one or two, there are many of them displayed. Some of them do not even look beautiful, which is the main purpose of any ornament. Rather they look like parts of a technical gadget. Is it possible that ancient Colombians were using advanced technology?

So is it possible that these are models of ancient airplanes? Did aircraft and spacecraft exist during ancient times? Or is this all a mere coincidence?

Praveen Mohan

Ancient SPACEMAN in Colombia – Who is VAIS RAVANA?

Hey guys, today, let us explore the ancient statues in Colombia. There are statues here which are more than a thousand years old and they have a strange connection with Indian culture.  For example, take a look at the mysterious SpaceMan at San Agustin Archeological Park in Colombia. This is a remote site in South America, and there are hundreds of statues here, but this one is the eye catcher. Who is he?

The very first impression is that, he is some kind of an ancient astronaut because it is clear that he is wearing a helmet or  a visor, he has 2 rectangular eyes, a rectangular mouth, and has no nose. Look at the size of his head and the body, it is very disproportionate, his body is too small for that giant head, and he is definitely wearing shoes.

But the most important detail is that he is holding a cylinder, a long tool which goes into the earth, look how it goes even below his feet. This is a very interesting detail and archeologists and historians have no explanation for it. The tour guides here, also have no idea and claim this is just a flute, a musical instrument. What kind of a flute goes into the ground, how would it even be able to produce music like that?

Tell me what this is. So what is this all about?

Conversation in Spanish

While there is no explanation for this mysterious Spaceman in Colombia, in Hinduism, there are 2 Gods which are portrayed remarkably similar to this. The first one is called SwarnaAkarshana Bhairava. He is the god of Gold and it is said the he could extract gold from earth directly using his tools.

But there is another important deity known as Vaisravana, he is the half-brother of the demon king Ravana. Who is this Vaisravana, what does he do?. He is the God of wealth, especially gold. He is always shown with a tool that goes into the ground. But remember India and Colombia are about 10,000 miles apart, so how could a Hindu god be carved in Colombia? This is a very valid question, and we need to take a look at this logically.

In India, Vaisravana is portrayed like this. This statue is about 1600 years old, He is shown with a pot belly, a symbol of wealth. The most important detail is this rod in his hand, which usually goes into the ground.

Now, look at the evolution of Vaisravana in Thailand. As Hinduism spread to Thailand in ancient times, Vaisravana was portrayed as a lean, much more aggressive deity. But look at the same detail, that tool going into the ground. You may be pleasantly surprised that he is the emblem of a region called Udon Thani in Thailand, this is the official emblem of that region. Not only did the motif evolve, his name also evolved in Thailand. Vaisravana is known as Vessavana in Thailand, but the story is the same, so we know it is the same deity.

Now, Hinduism started to spread even farther, so when it reached China, this is how Vaisravana was sculpted. These are ancient pillars known as Dharani pillars in Yunnan province in China, these are more than a thousand years old, and you can see the motif is slowly changing here also, but the key detail is that cylindrical tool going into the ground. Here is another statue of Vaisravana in China, at Miyin Temple in the same Yunnan province.

Now, when Hinduism reaches even farther, in Japan, look what happens to him. Archeologists and historians accept that yes,  This is Vaisravana, with the same Hindu story, and his name already evolved to Vessavana in Thailand, and in Japan, his name further evolves into Bishamon. Again, the key detail is that long cylinder going into the ground, probably to probe for gold. But now, Vaisravana wears a suit like an armor that covers his whole body, A helmet and shoes.

So, starting from India and all the way to Japan, we are able to see the evolution of Vaishravana and it is well documented. If you go to wikipedia and search for Vaishravana, you can see most of these details, how his name has evolved from Vaishravana to Vessavana to Bishamon and then Bishamonten. Mainstream historians accept this a fact.

Now, experts think that this culture, the Hindu megalithic culture stopped in Japan. But did it really stop there? Or did it go all the way from Japan to Colombia? This is a perfect case of evolution in iconography. Here in Colombia, he is shown with a full body suit, a helmet and shoes. And, yes he has that same, long cylindrical tool, going into the ground. If a culture could migrate all the way from India to Japan, they would have also reached Colombia.

The San Agustin archeological park has many many different statues in various sizes, and many of them are eerily similar to Hindu carvings. Here is an ape like figure standing and his hands are in a folded position. In India, sculptures of Ape like deities with folded hands are quite common. Now, the statue in Colombia is not just a regular statue, if you go around it, you realize that there is a face on the other side as well. On one side he looks young and happy and on the other side he looks older and sad. This is what I call Cycle of Life, and it is shown many times in Hinduism, specifically using monkeys. In Srirangam temple for example, it was used to show the cycle of life. See how the Younger monkey is shown hanging upside down with a lot of energy while the older monkey is shown slouching and sad. There are so many similarities like this between statues in ancient Hindu temples and the statues at San Agustin Archeological Park in Colombia.

Going back to Vaisravana, why is the God of Gold such an important figure in Colombia as well as many Asian countries? Why has he gained such prominence in many countries?

Praveen Mohan

 

Shiva’s Cosmic Dance = Law of Nature? 1300 Year Old Secret Revealed!

Hey guys, I am at the ancient KailasaNathar temple in Kanchipuram, and today we are going to look at a strange feature, related to geometry and sacred number system hidden here. Let’s take a  look at this carving of Dancing Shiva. This is a brilliant carving done at least 1300 years ago, and you can see much of this carving has lost its paint. I have retouched this using photoshop, and now you can see it much better. Here, Shiva is shown with one foot placed firmly on the ground, and the other leg is bent with his knee resting on the ground, and the foot facing the sky. Shiva has put one arm on this foot, while his other arm is lifted above his head. Let us forget his other arms for now. But here is another carving on the other side of the temple, which is even more eroded. When I saw this I was shocked, because it shows the exact same dancing Shiva, but Here is the strangest part, this carving is flipped horizontally, like a mirror image of the 1st carving. In photoshop, I am flipping this original image now, and you can begin to see the accuracy of how they both match.

In the first carving, it is his left foot on the ground, and in the second carving, it is the right foot on the ground. All the legs and arms are flipped like this, like looking at yourself in the mirror, not the same, but laterally inverted. But Shiva has so many hands, one of them is holding a ring, another  is holding a weapon, all these details have to be mirrored.  First of all, this is not easy to carve, this is a sculpting marvel which would need machine like precision. Even to show it to you online, I am using software like photoshop, imagine I had to do it by drawing with my hands, I would have to be a good artist. Today, to carve something like this, we would need software and hardware, meaning machine high-tech machines and tools.

Second question, and the most important question is: Why? Why did they have to create this kind of laterally inverted, mirror image of a carving? What could possibly the purpose for going through such pains to create it? And the position of these 2 carvings are quite intriguing as well. They are not randomly placed, one is on the left side of the temple and the other is on the right side, as though they are trying to create a symmetry, especially something called “bilateral symmetry”

But let’s go to the level of cells  and see how this was created, right? Biologists will tell us, well there is one cell and then it multiplies into 2, we are going to see something very similar to this. But this is not mere multiplication right? It is mirrored for natural symmetry. This is very hard to explain. So, this is my right hand, and if I multiply it, and put  another hand right next to it, does it look like natural symmetry? No! It is multiplied by 2, it is even identical,  but it is not symmetrical, it actually looks weird, because it is not natural.

In order to make it symmetrical, I have to laterally invert this hand, l have to make a mirror image, which is what my left hand is, my left hand is a natural mirror image of my right hand. What you are looking at on screen, is actually a laterally inverted image placed next to my right hand, this is not my left hand, but you cannot tell the difference, unless you look at my “alien blood line” showing on my ring finger. Because this is what Nature is doing to all of us, it is creating a mirror image along a symmetrical point. This is extraordinary, and scientists are still debating over why this nature is doing this.

But this carving shows that ancient builders of India, were following the same laws that nature is using. They did not create 2 carvings which look identical. They created 2 carvings in mirrored fashion for natural symmetry. And ancient builders seem to have understood something much more fascinating. If you take a cell, that cell multiplies in mirrored fashion. So one cell multiplies into 2, 2 into 4, 4 into 8, 8 into 16 and so on.

If we study the geometry and symmetry of the Kailasanathar temple,  It has been designed using the same system.  Of course this is 1 temple, but it has 2 secret passages known as the gate of death and the gate of birth, on either side of the center point.  It has 4 towers on the outer walls in the 4 sided rectangle.  Has 8 pyramids around the main tower specifically designed to show 8 avatars Shiva. But it does not stop there, 8 times 2 is 16.  Inside the main chamber is a 16 faceted lingam with perfect angles of 22.5 degrees between each sides. Another classic example of “primitive” technology. 16 multiplied by 2, you get 32. There are 32 bulls or Nandhis placed all around the temple. Some are on the ground, some are on top of the wall, and some are just completely gone. 32 times 2 is the number 64, and there are 64 avatars of Shiva carved on these walls.

And it is very interesting to see something here,  even though we do have every avatar of Shiva carved at least twice in this temple, this carving, the one that shows the cosmic dance of Shiva, is the only carving that is laterally inverted. All other carvings are not mirror images. Why is this? How is this cosmic dance related to nature, and laws of nature?  Was the cosmic dance of Shiva laterally inverted, to make us understand about  bilateral symmetry? And also, how did ancient builders come up with such remarkable symmetry and geometry?

Praveen Mohan

Prototype of Kailasa Temple at Ellora Caves Discovered! 100% Proof – Kanchi Kailasanathar Temple

Hey guys, today, let’s take a look at this ancient temple known as Kailasa Nathar temple, located in a city called Kanchipuram in South India and I am going to show you some solid evidence of how this was the model for the famous Kailasa Temple in Ellora Caves. The Kailasa Temple in Ellora Caves has baffled all experts, because the entire temple is made of one solid rock and the rock cutting technology of going from top to bottom is simply unbelievable.  These 2 temples are 750 miles apart, but share some deep rooted connections.

When you look at the kailasanathar temple tower from the ground, it looks like a normal step pyramid. But when you look at it from the air, you realize that there is something strange about the design. It is not just a simple pyramid. There are 8 smaller pyramids attached from the outside to the large tower in the center. This is very different from most temples, most Hindu temples are just simple pyramids.

There is one other temple which also has smaller pyramids surrounding the larger stepped Pyramid in the center. And that is Kailasa Temple in Ellora caves. If you compare the 2 temples side by side,  you can see that there is striking similarity: there is one central tower, but both these temples have smaller towers around them.

And not just a number of towers okay, both have 8 smaller towers surrounding the large central tower. This cannot be a mere coincidence. If you look at the layout of both the temples., there is One main tower, surrounded by 8 smaller towers, and then there is a chariot like structure in the front. The two temples are not identical, but the basic blueprint is the same. There is a rectangular area left around the towers for people to walk around. And in the front, at the very entrance, they both have a smaller tower with an elevated level.

There is another similarity. In my last video, I showed you that the Kailasanathar temple has 56 chambers inside the compound wall, which were used for meditation, and when I checked the plan of Kailasa temple in Ellora caves today, I am shocked because it also has 56 chambers inside the compound walls. This plan is taken directly from Wikipedia, and yes they both have 56 chambers, which were all used for meditation. We know for a fact that this cannot be a coincidence.

But this video is not just about similarities in architecture, okay? The original names of both these temples are Kailasanatha. Even though the temple in Ellora Caves is now popularly known as Kailasa temple, the original name of it, is Kailasanatha, meaning the lord of Mount Kailash. So, both temples actually have the exact same name. And the central deity is Shiva in the form of Lingam, in both temples.  And what is the purpose of these 2 temples? Why were these 2 Kailasanatha temples built?

Nobody knows exactly why, but there seems to some deep rooted connection to Spirituality, to Human consciousness itself. Perhaps we could understand this by looking at the secret passages in these 2 temples. Both temples are designed with mysterious tunnels. In the Kailasa temple at Ellora Caves, there are some deep tunnels and at the end of them, there are rectangular holes cut at the very bottom. Some of them even go underground, but all these holes are impossible to crawl through, because they are too small for human beings.

In Kailasanathar temple in South India, there are 2 tunnels which also have rectangular holes at the bottom, and if you are fit, you can squeeze and crawl through these passages. One opening is called the Gate of Death and the other opening is called the Gate of Birth. Locals in Ellora Caves, believe there are similar gates in Kailasa temple as well and entering through a certain hole can take you to a different dimension. Some even claim that these portals are kept locked to prevent people from accessing them., because they contain the secret to rebirth and immortality.

Even though we are not able to fully understand the purpose of the passages, the fact that both these temples were designed with small rectangular tunnels, is quite intriguing.

Now, let’s take a look at the carvings in the walls of both temples. This is the Kailsanathar temple and you can see gigantic carvings of Shiva, adorning the walls. Each one tells a specific story of Shiva, here you can see him coming out of a Lingam. This is from the Kailasa Temple at Ellora Caves, telling the same story on its walls. This cannot be a mere coincidence. Here is a dancing Shiva in Kailasa Temple at Ellora caves, and here is a very similar carving of Dancing Shiva in Kailasanathar temple. So, it is crystal clear that one temple inspired the other temple, one temple was used a model for the other temple. So which one was built first?

And here is the real shocker. Mainstream archeologists claim that the Kailasanathar temple was built at least 50 years before the Kailasa Temple in Ellora Caves. Kailasanathar temple was built around 700 AD and Kailasa Temple was built around 755 AD. If this timeline is correct, the KailasaNathar temple in South India was the model, because it was built first, and it inspired the construction of the Kailasa Temple in Ellora Caves. In fact, locals believe that the Kailasanathar temple is the oldest Hindu temple in India, dating thousands of years earlier than these dates claimed by experts. Not to mention that the Kailasa Temple itself is shrouded in mystery and experts have not been able to explain the dates clearly. Archeologists and historians claim that these 2 temples were built by completely different rulers, who belong to completely different dynasties, and spoke completely different languages.

But even after the construction of both these temples, and even until the last few centuries, they have had an ongoing connection. The tower of Kailasanathar temple is still painted silvery white, to resemble the snow-clad Mount Kailash, which is said to be the home of lord Shiva. Do you know that originally , the Kailasa Temple at Ellora Caves was also painted with silvery white color? Even 2 centuries ago, it was repainted with the same silvery white paint, we can still see traces of this color in this temple. In ancient times, Both the temple towers gleamed with golden tone, on certain time of the day and had a mystical glow.

So what do you think? Was the Kailasa Temple in Ellora Caves modeled after Kailasanathar temple in South India? Or, are the timelines wrong? and  Kailasa temple in North India was built first and Kailasanathar temple was inspired by it?

Praveen Mohan

Kailasa Nathar Temple – SECRET of REBIRTH & ENLIGHTENMENT

Hey guys, today we are going to look at the Kailasa Nathar temple in South India, some consider this as a model of the world-famous Kailasa Temple in Ellora Caves. Some even consider this as the origin of all temples and even the origin of spirituality.  I will show you this entire temple in my next video, but in this video I want to show you the secrets of Spirituality hidden in this temple.

So we have a lot of these relief carvings here, and I am going to show you this one, right? Your eyes are automatically going to these central figures, this is a fantastic story. It is a story between Shiva and Arjuna. And I hope you know the story, and you have enjoyed the story, but what are you going to do next? Your eyes are naturally going to go to these animals known as Yalis. Now, look at their hands. Look at what their hands are doing. One Yali’s hand is pointing this side, and the other Yali’s hand is pointing this side. Of course, this is very interesting to me. So you have enjoyed this carving, you have enjoyed this temple, what are you going to do now? This is not just about devotion, the lions are telling you to go either this way.. inside.. Let us see what is inside. Here. So you can see there is a place for one person to sit. and this is an isolate place so.. nobody can be looking at you from outside. So it is a perfect site for meditation. Now, let’s go and see what’s there on the other side. Because this Yali is showing this way. Here.. you have another perfect place to meditate like this. Now this is what the Yalis are telling us. It is not just about devotion, it is about finding enlightenment. But there is another interesting thing here. Just pay attention to the sound. Aum.. Aum… Aum… Aum.. There is clear resonance echoing when you chant from these chambers. This is how monks used this temple.

If you sit inside these chambers and chant, you can experience a strange resonance not only in sound, but also the vibrations of your mind and body. There is not just one or 2 chambers like this, there are a total of 56 chambers like this, in this temple. Ancient monks used to come in groups and meditate in these chambers.  I have visited this temple many many times, and believe it or not, this meditation practice still goes on today. If you come very early in the morning, or if you stay at odd hours, you can see some monks coming and meditating here. Some even have specific chambers which they use repeatedly.

So you can see how, by following the signs of this animal, known as Yali ,we can get a lot of information. Remember, I showed you the Yalis from another temple In Darasuram. I showed you how the tails and trunks of Yalis made us understand something spectacular. So, if you go to ancient Indian temples, please pay attention to Yalis.

But in this temple, there is something else these Yalis are revealing. Archeologists tell us that the entire structure of Kailasa Nathar temple is made of Sandstone and Granite. But if you observe carefully, the Yalis are revealing that they are not made of rocks at all. Look, we can see particles of red brick placed inside these Yalis. Not just one or two, we can see this in many, many carvings. Some show other materials like lime mortar also placed inside these statues. And this is not just limited to Yalis, look: this panel looks like it is made of sandstone, but it is not. Inside, you can see brick particles peeping out. This temple is not made of Sandstone or ordinary rocks, it is made of artificial material which contain a mixture of different components. We use the same technology today and call it geopolymer technology and make it look like artificial rocks. This is not just a theory, look at what the priest of this temple is telling us:

And why did they use geopolymers, instead of building the temple with regular rocks? The priest and some locals believe that artificial materials were added to emit some kind of radiation which can calm your mind and make it ideal for meditation.  Think about this, why would people come to this temple all the way from their house and meditate in these chambers? Why can’t they just meditate in their own homes?

This temple, which is considered the origin of all temples, was built using a strange material to enhance your meditative experience. You can get resonance echoing back to you, when you chant here. There are even carvings on the walls which show us how to meditate, and what kind of benefits it can give you. Many of these carvings have become permanently damaged now. In ancient times, there were also richly colored paintings which gave step by step procedure of how to meditate and reach eternal peace. All these priceless bits of information have been lost due to lack of preservation.

Let us go back in ancient times and imagine that you are entering this temple for meditation. First, You would typically go into the main chamber. Inside the main chamber there is a giant lingam made of 16 sides with perfect angles, it is amazing to look at, and is made of shiny black basalt. You would stand in front of this lingam to absorb a different kind of energy emitted by the lingam. But then, you will be asked to do something very strange. To the right and left of the main chamber, there are two, very narrow holes. The hole on the left is the entry point – the entry point is called the Gate of Death. You would have to squeeze through this hole and then you have to walk around the main chamber, you are essentially walking around the giant lingam, and then again you would have to wiggle through the exit point which is even smaller. This is called the Gate of Birth or Birth Canal. When you are crawling out of this hole, you are literally being born again, free of all the worries and burdens of your past. You are starting afresh, like wiping the slate clean and are ready to go into meditation mode. This is why the main chamber is called Garbagriha in Sanskrit and Karuvarai in Tamil, which means, the mother’s womb chamber.

Remember, this is the only Hindu temple which has these kinds of passages, such passages are not found anywhere else. Why? Because when you come out of this whole ritual, your mind is fresh and you are ready to begin meditation.

Now, We saw how the Yalis are telling us, not to stop with just enjoying these divine carvings, and  to go to the sides and sit in these chambers made of geopolymers, to calm your mind and achieve spiritual enlightenment.

But there is one more secret, the Yalis are hiding. Let us examine the Yalis’s mouths. Their mouths are open, and there are holes between their teeth. But there is something remarkable, all these holes are aligned in a perfect straight line. If you look through the teeth of one Yali, you can literally see me through the other side of the hole, and then even on the other side of the Yali. But what’s even more fantastic is, you see there are twin Yalis, you can see through on the left most side of one Yali, and you can see me though the right most side of the other Yali, because it is all perfectly aligned.

But is this alignment and perfect sculpting merely done for artistic purpose? No, there is an ancient secret, hidden within this alignment. Remember I told you there are a total of 56 chambers built for meditation.

In ancient times, 7 great saints, known as saptarishis would sit in specific chambers. Each of these saints, had seven disciples, who would sit in the other chambers. So a total of 56 people would be chanting mantras because  56 is a sacred number which equals 7 plus 7 times 7.

It is said that the monks followed twin system. Two monks would sit on either side of these Yalis, one inside each chamber. A long silver string or silver cord would run through the mouth of these 2 Yalis and connect the 2 monks. Both monks had to be perfectly still, because if one person moves, the string would vibrate, and disturb the other one. It is said that in complete harmony, the string would stop vibrating, and the souls would start vibrating, with the cosmic mountain of Kailasa.

Praveen Mohan

Ancient Temple you have NEVER heard of: ‘Jalashayana’ Temple, Mahabalipuram – Highlights

Hey guys, today let us take a look at this brilliant ancient temple in Mahabalipuram, known today as the Shore temple. It is at least 1300 years old and has a lot of mysterious features. Who is the main God of this temple? Is it dedicated to Shiva or Vishnu? Let us go inside one of the main chambers and see what’s inside. Here you can see a spectacular carving in a sleeping position, this is Lord Vishnu and he is resting on a gigantic serpent, using the snake as a bed. This carving was done 13 centuries ago and you can see, one of his hands is completely gone. A part of his foot is also missing. Almost none of his facial features are even recognizable. Even in this condition, the statue looks quite beautiful, imagine how fantastic it would have looked 1300 years ago. Even better, locals remember that this Vishnu would get submerged underwater, because it is so close to the sea and they would come and visit him with water level up to their knees. This is why this temple was originally called Jalashayana Temple, because it means ‘Resting in Water’. So, is this temple dedicated to Lord Vishnu? Let us go into another chamber nearby. This east facing chamber, has a gigantic Lingam, which is a symbol of Shiva. It has been partially destroyed, but you can still see it has 16 facets and it is made of advanced technology. I have explained about this lingam in a different video, but if you go into another chamber which is facing west, we see there is just a circular hole on the ground. There used to be a lingam in this place, but it was destroyed. On the wall, you can see Shiva and his wife sitting with a baby. Now, this is strange, because Shiva has 2 kids. Who does this carving show? Tell me in the comments section.

Historians tell us that followers of Shiva and followers of Vishnu were always fighting against each other in ancient times, but this temple disproves all these theories, because we can see how both deities were carved and worshipped in the same temple.

The Shore temple complex has 2 towers, which look like stepped pyramids and the towers stand about 60 feet tall and rest on a 50 feet square platform. This is chosen as a UNESCO World Heritage site, because of its fantastic location and amazing architecture. The shore temple is made almost entirely out of Granite, although you can see brick and mortar in supporting monuments. Mahabalipuram is an ancient city and there are various types of constructions found here. This model you see is called ‘structural’ or ‘built-on’ architecture, where rocks are placed on top of one another, to build a structure. In Mahabalipuram, you can also see cave temples,  Bas relief structures which are 2 dimensional panels, and even monolithic temples, resembling models of Kailasa Temple.

The shore temple is one of the very few structural architectures in Mahabalipuram, and is made of thousands of granite blocks.  The entire complex is decorated with bulls known as Nandis. Originally the site had 108 Nandis,  but many of them have become damaged and have been removed now.

Here is a very strange carving, it is unique and I have never seen anything like this. It is an animal and its head has been cut off. Not really cut off, it has been carved specifically to indicate that the animal has been decapitated ,and  its head has fallen to the ground. Many people are shocked by this carving and a lot of visitors think this shows that ancient Indians performed animal sacrifices.

But does this carving really show animal sacrifice? no! it shows a scene from ancient texts. Right next to this, you can see this statue of a Lion, and inside this square, there is a deity called Mahishasuramardini. In ancient texts, this Goddess fights a demon who is in the form of a buffalo, and she eventually kills him. Depictions of this Goddess killing the demon is carved in many ancient sites, you can see the demon completely in form of a buffalo, and in some other sites of Mahabalipuram, you can see the demon with just the head of a buffalo, but the shore temple is the only place where you can see the demon with a completely severed head. The MahishasuraMardhini must have been a favorite deity in Mahabalipuram, because it is carved in a lot of different places, including places like the Tiger Caves.

Mainstream experts believe that this temple was built around 700 A.D, but other scholars have claimed that this temple goes back much much earlier in time, before a time where a great flood struck the earth and submerged the rest of the temples around this.

Perhaps this carving could explain the timeline of the construction, this is a strange animal carved in the temple tank. People think of it as a pig or boar but this animal does not have a protruding snout like pigs and boars have. If this is not a pig or a boar, what animal does it show? We do not have any animal which looks like this in our current times, but surprisingly there is an extinct animal  called Daeodon . The daeodon looks like a pig but does not have a snout and its physical features match the carving. But experts claim this animal became extinct millions of years ago, so how is it carved in this temple?

Some people will blame the sculptor and claim that he attempted to carve a boar but it accidentally ended up looking like this, but while exploring Mahabalipuram, I saw another carving which looks identical to the carving in Shore temple. So this is not an accident or coincidence, but these carvings do show this extinct animal. But how is this possible? Was this temple built millions of years ago? Or were the sculptors capable of Time Travel, just like Panchavarnaswamy Temple, which also shows extinct animals like the saber toothed cat?

The shore temple is considered a very mysterious site, thousands of devotees come from all over India as it is said to emit strange energy. The very first rays of sunlight will fall on this 16 faceted lingam, as it is perfectly positioned to the east. Even though most of the structure is made of granite, the lingam , and the top most stone on the tower are made of a different type stone. This, which looks almost like a machined metal piece is actually made of black basalt stone. Even more interesting, black basalt is not a locally available stone, so they had to transport it from a very long distance.

Why did they design the temple in this way? Why did they go through so much pain to place Black Basalt structures on the top and bottom of the chamber? Does this set up, really emit some kind of energy, which needs to be analyzed?

The entire site of Mahabalipuram is known for many strange monuments, it has evidences of ancient machining technology, it has unexplained carvings and is known for its extraordinary stone monuments. Were these structures built 1300 years ago? Or were they built much earlier in time?

Praveen Mohan

UNDERWATER Temples Found in Mahabalipuram?? The Seven pagodas of India

Hey guys, today I am at the sea shore of an ancient site called Mahabalipuram in India . I have posted several videos about this place, but today I am going to show you some solid evidence of underwater temples, submerged in the sea. On the shore, you see a majestic temple known as Jalashayana temple. I bet you have never heard of this name, today people just know of it as the “Shore temple”, but an inscription inside the temple reveals that its original name was Jalashayana. What does it mean? It means “Resting in Water”. Very appropriate for a temple situated touching the sea. This temple was built at least 1300 years ago.

But my focus today is on the temples which are submerged in the sea.  Are there really structures underwater in this ocean? Just outside the shore temple, there is a rock standing in water. Today, The shore temple is fenced , so I cannot walk to this place from the temple, but this was part of another temple structure. If you take a good look at this, you begin to see chisel marks, but if you go into the water, and then look at the other side, this is what you will see. Clearly, there is a small rectangular chamber carved and several deities are carved in this rock. All this was done at least 1300 years ago, and look, there is another rock peeping out in the middle of the water. That is also another ancient monument lying completely under water. This proves that there are ancient temples submerged in this ocean, waiting to be discovered.

But the most important evidence of these submerged temples is from the Archeology Department itself. Government Archeologists have explored underwater in 2002 and have confirmed that yes, there are  quite a few broken pillars, damaged walls and other structures inside the water, belonging to ancient times. So, it is a fact that there are submerged temples in Mahabalipuram.

So, how many temples are there underwater? The answer was given by Marco Polo, a venetian traveler who traveled by sea, about 700 years ago. Marco Polo says there were 7 very large temples in the shore, and calls them ‘The 7 Pagodas’ . The temples must have been so large that they were visible from a long distance. In the last 700 years, this coastline has seen many tsunamis and the water level has consistently risen, leaving only the last of the 7 pagodas to be seen today. This is why this temple is sometimes known as the Last Pagoda. Even this temple was consistently harassed by the sea water. Water used to frequently come into the temple, which is why the archeology department has placed a massive number of rocks as barriers to prevent this from happening.

I will explain this temple in a different video, but there is a strange little tank inside the complex. It is roughly a rectangular structure and today you can see there is a little bit of water, but I have visited this site many times.

During dry seasons, you can see a key hole shaped hole in the center. This hole goes deep inside and is connected to the ground water level. Water comes out of this hole. And nearby there is a small cylindrical structure with various levels marked on it. Locals claim that this is an ancient flood indicator, and it can even foretell Tsunamis. See there is a deity carved inside the cylinder, locals say that if the water rises up to the neck of the deity, then the priest would make an announcement that everybody should evacuate the area, because there would be a flood in the next 48 hours.  So, this was like a weather forecast device that could warn about the rising water level.

So, it is a fact there are 7 Pagodas in Mahabalipuram, but 6 of them are under the sea. I hope some day, I can lay eyes on them and reveal  them to you.

Praveen Mohan