Shravanabelagola, World’s Largest Monolithic Statue – Evidence of Ancient Machining Technology

Hey guys, today we are gonna explore the mystery of the largest monolithic statue in the world. This ancient structure, called Gommateshwara was built more than a thousand years ago and is made of one solid rock. How was it created at a time when historians claim there was no advanced technology? Is it possible to move such a huge structure to the top of a hill, with just primitive tools and techniques? This statue stands about 57 feet tall, nearly 40 feet wide at the base and weighs more than one thousand tons. This is a whopping 2 million pounds of solid rock. So, the question is: How was it transported to the top of this hill which is more than 400 feet from the ground? Experts are not able to answer this question, but some have speculated that the stone was available on the hill itself. Even better, if this rock was already in place, then sculptors would have to simply carve the statue, since there is no transportation involved.

Is it possible that this rock was naturally in place, before this statue was carved? No, experts confirm that this statue is made of white granite, a material that is completely different from the rest of the rocks on the hill. In fact, there is no white granite anywhere on the hill or even in the surrounding area. You can see the sharp contrast in color between the statue and the rest of the rocks which make up the temple. So, the only possibility is that this statue or an entire slab was transported from ground level to the top of the hill. Let us assume that they moved the statue, and not an unfinished slab, because the unfinished rock would weigh nearly twice as much as the carved statue. Some historians have argued that elephants were used to move this statue to the top. Now, an elephant can lift a maximum weight of 660 pounds. This would require a total of 3000 elephants to move the statue, but how do you even put 3000 elephants in a row, and tether them to a 57 feet long object? Since this is not possible, how else was the statue moved to the top? Perhaps we can find some clue by examining the statue closer. The statue is famous for something very interesting, it has no human errors at all. If you draw a line in the middle, it is perfectly symmetric, throughout the entire height of 57 feet. Is such a symmetry possible without the help of machines? Granted, India is the land of sculptures, and we can find millions of amazing carvings, more than any other country in the world. But this statue is quite different. Because of its enormous size, it has to show even the minute details.

For example, you can see this groove between his nose and lips. All human beings have this groove, however most sculptures do not show this feature. Even the statue of liberty does not have this feature. But it is carved on this 1000 year old statue. These features are not visible to the naked eye, they are only visible if you zoom in with your camera. And it shows something truly extraordinary … Watch the full video to learn more!

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Mysterious Ancient Handbag Carved in India. What is inside?

Hey guys, here is a thousand year old carving in the ancient temple of Gangaikonda Cholapuram and here you can see something very strange – A handbag hanging on a tree. Carvings of handbags are found in many ancient sites around the world, but this is the first time it has ever been spotted in India. This temple is estimated to be built around 1025 A.D which is a thousand years ago. In this video, let us examine who this person is, why is the bag hanging from a tree branch and most importantly, what’s inside this mysterious bag.
But, this is the first question we must ask ourselves: Is it possible that this is just a simple handbag which was used to hold ordinary objects? Does the carving below, show an ancient man, using a handbag just like what we do today? The answer is no. Because the carving does not show a human being, but Lord Shiva who is considered the supreme God in Hinduism. This is clear when you see the characteristic features like the little demon below his feet and a snake in his arm. Many depictions of Shiva show the exact same features – the little demon and the snake, confirming that this is in fact, Lord Shiva. According to many religious experts, Shiva is the first God and all other gods arrived on earth, after him. Around the world, there are many deities carved with the same handbag. The Sumerian Gods have it, the site of Gobekli tepe has the same carving, and they have also been found in New Zealand and Central America.
Experts don’t know what was inside these handbags and they do not want to agree that handbags existed many thousand years ago. Why is this? Because historians and archeologists claim that all these Gods are fictional characters who did not use physical items like handbags. So, they come up with some abstract, philosophical explanation. They explain that the strap of the bag, which looks like a semi-circle, represents the hemisphere of the sky and the solid, flat base represents the earth. Therefore, they say that the Gods are shown holding the symbol of heavenly and earthly powers. But these “experts” would not have expected us to find a carving like this in India. It is not shown in the hands of Shiva, but hanging from a tree branch. This clearly proves that this was not a mere symbol, but an actual handbag which contained something very important. But there is another surprising clue in the same carving. You can pause the video if you want and try to find out what it is. The carving shows not one handbag, but two. On the other side of the tree, another handbag is shown hanging, but you can only see the strap. The rest of the bag is not seen because it is behind Lord Shiva’s dreadlocks. This clearly proves that these bags were not just symbols, because symbols are always shown in full, in order to be understood. This was an actual handbag, a physical object, which is why it is shown partially.

So, what would Lord Shiva, the God of unlimited power, carry with him at all times? And why were these bags hanged on a tree, why did he not just place them on the ground? Have you ever noticed why we never place batteries on the ground? Almost always, we use a non-conductor like wood or plastic before placing batteries on ground. It is common knowledge not to place batteries on ground because it tends to drain rather quickly, and if there is a leak, you will lose all power instantly because of its contact with earth.
Did ancient Gods use portable power supplies? Is this handbag, a high powered battery which was used for machining technology and other scientific purposes. Is this why we can see many carvings of gods holding a battery in one hand, and a machining tool in the other?
In my videos, I have not only shown you evidence of machining technology but also a 4000 year old battery used in India. Are all these evidences just coincidences, or is Shiva, the most powerful God, shown here using an actual power source?

Anunnaki Discovered in India? Evidence of Ancient Aliens

Hey guys, this is an ancient temple at Lepakshi and here we can see this strange carving that shows a very unique deity. You can see that it has a reptilian face, looking like a lizard and the hand gesture shows a blessing posture. When I asked the locals, who this God is, they told me it is called AnuNaga. It sounds very similar to Anunnaki, the Gods well known around the Mesopotamian region, which is in modern day Iraq. Anunnaki was worshiped by ancient cultures like Sumerians, Akkadians, Assyrians, and Babylonians. Now,  is it just a coincidence that these names sound similar, or is Anunnaki being worshiped in this temple as AnuNaga? By the end of this video, you can decide if Anunnaki is being worshiped in India.

You can see that the carving is covered with saffron powder, which is considered sacred in Hinduism. This is because, a group of locals, still worship this deity and perform monthly rituals on it. I contacted them and they explained to me that AnuNaga means “those who look like snakes” – the name describing its reptilian features. The prefix Anu means “similar to” and Naga means Serpent in ancient Indian language. These people claim that this is the original form of Naga, the popular snake gods of India, who were later depicted with hooded snake heads. The carving shows legs which are not sturdy, but seem boneless and curved, which were later exaggerated as snake bodies. They also insist that all Naga deities must be referred to as Anunaga.

The Sumerian term Anunnaki means “Those who from heaven came down to earth” clearly describing their extraterrestrial origin. Nagas in Indian mythology also come from a different planet, and they prefer to live underground, building vast cities underneath the earth. This is identical to the portrayal of Anunnaki, who are the Gods of the Underworld.

In ancient Mesopotamian texts, like the Epic of Gilgamesh, there are only seven Anunnaki, ruling the Underworld. What’s really fascinating is that, in the same temple we have the world’s largest Nagas carved out of a single rock, and it also shows  a total of seven anuNagas or snakes. Are these similarities just coincidences? Is it possible that Anunaga and Anunnaki, are really the same Gods?

According to Sumerian texts, the Anunnaki  was able to genetically modify the human race, which is possible only by altering our DNA. This genetic manipulation is depicted in ancient civilizations by intertwined serpents, which represent the DNA strands. The pillars of Lepakshi temple show a variety of these intertwined snakes, and each carving is different from the other. Is it possible that these pillars show the same genetic experiments done by AnuNaki, which resulted in the creation of mankind. All ancient Naga temples also show these DNA patterns and some even show the emergence of human beings from these DNA strands. Are these mere coincidences or are we looking at remnants of a distant past when Anunnaki or Anunaga landed on earth, and created these ancient civilizations?

Now, If the Anunnaki really came from a different planet, what kind of spacecraft did they use?  In the same temple, we can see these massive carvings of circular spacecraft, which have baffled archeologists.  You can see large circles, which have smaller circles around the circumference. What’s really fascinating is that we can see the exact same figures as cave paintings, about 200 miles away. Considered the oldest cave paintings in India, these not only show the spacecraft, but also show extraterrestrials sitting inside the craft. You can click on the top right corner of the video to see it.

Were these extraterrestrials,  Anunnakis who came in flying saucers? More importantly, are Anunnakis and Anunagas one and the same Gods? Please let me know your thoughts in the comments section.

Praveen Mohan

Astronaut Carved in Halebeedu Temple, India – Was Space Travel Done in Ancient Times?

Hey guys, this is the Hoysaleswara Temple and here we can see a very strange carving:  these figures look very similar to modern day astronauts. They are wearing helmets which cover their heads completely, and you can see that each person is wearing protective gloves in his hands, notice the cuffs of the gloves. If you observe closely, we can even see some of them have wires that go from one side of the helmet and hooked up to a spherical device at the back of the helmet. If you compare this carving with modern day astronauts, the similarity is uncanny. Yet, these carvings were created at least 900 years ago, some even say this temple was built many thousands of years ago. The question is, does this carving actually show astronauts, or does it depict something else?

I have asked several Historians and Archeologists about this carving and they tell me that till date, nobody has been able to decode this carving. Why? The reason is, Foreign Invaders have destroyed the top part of this carving, specifically this particular figure who is the main character in this carving. If you observe carefully, this figure is seated on a throne, and the astronauts are on the floor begging him. The crouched positions and hand gestures of the astronauts confirm this, but until we identify the central figure, we cannot determine what’s going on.

So, let’s observe this carving very carefully, and see if we can find out who he is, for the very first time. On his shoulder, we can see the outline of a circular weapon called Chakra, which belongs to Lord Vishnu. You can see a female figure sitting on his lap, and Vishnu is often portrayed with his wife Lakshmi on his lap. This is definitely Lord Vishnu, because his throne is shaped in the form of a lotus flower, and Vishnu is the God usually depicted on lotus flowers. I wonder why no one observed these clues to find the answer until now.

So, now that we know that this is Vishnu, let’s try to decode who these astronauts are. In the ancient Indian texts, this scene is clearly described. There are two groups of deities at war with each other: Devas and Asuras. The Devas are unable to defeat the Asuras, so  they travel to a planet called Vishnulokha, and beg Lord Vishnu to help them. This carving perfectly fits the scenario of Devas begging Vishnu for help. Today historians tell us that all these stories are just mythology – Devas traveling to other planets thousands of years ago, that would be impossible because there was no technology for space travel at that time.

But this carving shows that such a scenario actually happened: Because, it shows Devas as astronauts with helmets, wires and gloves, just like modern day astronauts. What’s even more interesting, the Devas are carved without these astronaut suits when they are on earth. They are depicted with helmets, wires and gloves only when they traveled to the other planet called Vishnulokha. If space travel was not possible in ancient times, how can we explain sculptors carving the Devas with remarkable similarity to modern day astronauts?

So, what do you think? Were Indian Gods real? Or were they merely fictional characters as Historians claim? Please let me know your thoughts in the comments section, I am Praveen Mohan. Thanks a lot for watching, don’t forget to subscribe. Please give it a thumbs up and share this video with your friends, and I will talk to you soon. Bye!

Ancient Egyptian Carved at Hoysaleswara Temple, India – How is that possible?

 

Hey guys, this is the Hoysaleswara temple and here we can see a very strange carving: an ancient Egyptian. You can see that the clothes he is wearing and the tools he is holding are completely different from all other carvings in this temple. In fact, many historians agree that this is an Egyptian figure but have no idea how it has been carved in India, which is in a totally different continent. Mainstream archeologists say this temple was built about 900 years ago, although locals say it has been in place for many thousand years.

If we compare this carving, with carvings of other Indian humans and gods in this temple, it has many distinct features. All Indian figures are shown with no clothes on the upper body, but wearing plenty of ornaments. This figure is the complete opposite, it is shown wearing a long coat but almost no ornaments. Most Indian figures are shown wearing footwear, but this figure is barefoot, just like the ancient Egyptians shown in paintings and carvings. Now, if you look at this Egyptian figure, you can see that beneath the long coat, he is wearing a loincloth, and this is exactly what this carving also shows: A simple loincloth underneath the long coat. Now, if we take a closer look at this figure, we can see that he is wearing a headdress that reaches the shoulders. We know that this is a headdress because we can see his real hair underneath the headdress. And this headdress also looks remarkably similar to the ancient Egyptians, while all Indian figures in the same temple show completely different hairdos.

All history books tell us that ancient India was not connected to ancient Egypt, yet we see this Egyptian figure in this temple. How is that possible? Remember, experts are telling us that ancient India was isolated, it was not connected to other countries. Yet, in another video, I have shown you a European carved in the ancient Brihadeeswara temple. All historians repeatedly tell us that India was not connected to Africa, yet I have shown you the carving of  a Giraffe in Konark Sun Temple, and Giraffes are only found in Southern Africa. With all these evidences, is it possible that ancient civilizations around the world were connected, just like how we are all connected today? Were they using advanced technology like telescopes and even communication devices? How else can we explain this Egyptian, along with the other carvings found in ancient Indian temples?

But the most important question is, why did Egyptians come to India? What was the purpose of their visit?

So, I began scanning this temple to see if there were any more of this Egyptian carved amongst thousands of other sculptures. There are two smaller carvings which show the same person. Here he is shown watching Indian musicians and dancers, suggesting that he was a visitor from a royal family, and therefore, was being entertained. But there is another sculpture which shows something remarkable:

On the left, there is an Indian man who has a child on his lap. What is strange is that he is using a dumbbell like device on this child, and the Egyptian who is standing nearby is observing this procedure. You can see that the dumbbell like device is placed on the left side of the child’s chest, exactly on top of the heart. In modern medical technology, in the last few years, we have developed something called a cardiopump,  to give CPR when someone has a cardiac arrest.

It must be placed on top of the heart, and it will revive the patient.  Are we looking at the exact same technology, carved in ancient times? Ancient Indian texts mention that other civilizations came to India to learn advanced technology, specifically the field of medicine. Massive Universities like Nalanda existed in ancient times and the ruins of these structures still exist today to confirm this. A text called Sushruta Samhita, written at least 2700 years ago talks about advanced surgical operations, and mentions a vast variety of surgical instruments. Carvings of identical surgical instruments are found in ancient Egypt. Carvings in Egypt clearly show this and archeologists have even found remains of these metal surgical tools, proving that surgery was done in ancient Egypt, just like India.

So, what do you think? Was India and Egypt connected in ancient times? Did we have a sophisticated civilization with advanced technology, thousands of years ago? Was the world connected back then, just like today? Please let me know your thoughts in the comments section. I am Praveen Mohan, thanks a lot for watching, don’t forget to subscribe. Please like and share this video, and I will talk to you soon. Bye.

Oldest Carving of Bodhidharma discovered – Proves his Origin

Hey guys, I am at Mahabalipuram cave temples in India and here we can see the oldest depiction of Bodhidharma, carved at least 1300 years ago. Bodhidharma is a very mysterious figure and has statues all over China and Japan and is considered the founder of martial arts at the Shaolin temple. He is an iconic figure among Buddhist monks. All ancient Chinese texts agree that he came from a foreign country, but experts are not sure if he was from Iran or from India. This confusion exists because Bodhidharma came from a kingdom called the Pallava Kingdom. There are 2 kingdoms which existed under the same name, one in Iran and another in India. But this 1300 year old carving puts this confusion to rest, because it is the oldest carving of Bodhidharma that has ever been found and is found at the heart of the Pallava Kingdom in India which proves that he is in fact from India.

We can see that he is wearing a long head dress that extends to his legs and is shown with a beard and mustache, typical of Bodhidharma’s depiction in China and Japan. However, the most important feature is his extremely large eyes which are shown almost popping out. The reason for this is because Bodhidharma did not have any eyelids. This was his distinct feature. And we can see that Bodhidharma is shown holding a long stick, which was the only thing that he ever carried around.

If we look around in this temple, this figure is sharply in contrast with all other figures in this monument. All other saints are clean shaven and are shown with their palms together. However, Bodhidharma is shown with a beard and mustache. This is definitely not a carving of a layman, because he is shown standing on top of a temple tower, such a depiction is only given to people who are saints or kings.  And the beauty of this carving is that it shows Bodhidharma when he was young, because he left India in his early twenties.

So, who was this Bodhidharma, and why did he travel to China? A Chinese disciple of Bodhidharma, by the name of Tanlin, clearly describes his origin in a book written around 550 A.D. He has written that Bodhidharma was a South Indian of the western region, and was the third son of a great Indian king. Also, the author Tsutomu Kambe mentions that Bodhidharma came from a city called (香至) Kang-zhi, which is actually pronounced as Kanchi in India. The city of Kanchi was the capital of Pallava Kingdom, which is located less than 50 miles from this carving. Bodhidharma’s real name was Jayavarman, a prince of the Pallava dynasty, who renounced his luxuries to become a monk. He then traveled to China where he taught various specialties including meditation, martial arts and medicine. I am Praveen Mohan, thanks a lot for watching. Don’t forget to subscribe and I will talk to you soon. Bye.

1300 Year Old Indian Structures – Evidence of Ancient Machining Technology?

Hey guys, I am at the Shore temple in Mahabalipuram and  this is the world’s oldest lingam, built more than 1300 years ago. We can see right away that something is very unusual about this lingam. It looks like it has been created with machines. This is because this structure is made of 16 equal sides. Now, on the top, you can see that it has been badly damaged, this is because Kings of other faith have tried to destroy this lingam a few hundred years ago. Today, it stands about 5 feet tall, but the original structure stood nearly 12 feet tall. Is this structure made with ancient machining technology or primitive tools like chisels and hammers?

The baffling feature of this structure is that it is made of 16 equal sides, this type of structure is called a hexadecagon. It is impossible to make a perfect monolithic hexadecagon of this magnitude with primitive tools. How could anyone have made this structure 1300 years ago? Today we can make different polygons using computer controlled machines, but cutting a 12 foot rock with 16 equal sides would be not be easy, even with machines.

The biggest problem with creating a perfect hexadecagon is not the length or width of the facets. These can be measured with simple tools, but the problem lies in creating the perfect angle between the sides. To make a structure with just 8 sides, we would have to calculate the exact angle between each side which would be 135 degrees. Now, this lingam has twice the number of sides which means that the angle between each side should be 157.5 degrees – Now there is a decimal point in degrees!

Is this lingam really perfect or does it merely look perfect? If this entire structure was made with chisels and hammers, there would be some human error. So, I decided to calculate the angle between the facets. If this is a perfect hexadecagon, the angles between all the sides, should be exactly 157.5 degrees. Here you can see my measurement with an angle finder. You can see that there is no error, and it shows the perfect angle of 157.5 degrees. I’ve measured all sides, and it is perfect. This “modern instrument” that I use today, doesn’t show me decimal places, but you can see that this black line is always halfway between these 2 lines. So, you can imagine what kind of advanced instruments were used 1300 years ago, by ancient builders.  I have also measured the width of all sides and they are all perfect, down to the millimeter. This means there is absolutely no human error in this structure, which proves that this structure was made with advanced machinery.

But there is another structure which is more baffling than this 16 faceted lingam. There is a 16 faceted structure, called Kalasam sitting on top of the temple tower. Making a regular hexadecagon requires straight machining. But what we see on the very top of this temple tower needs much more complex machining because of the varying shapes and grooves. It looks like a metal structure but it is actually made of stone. This Kalasam looks tiny from here, but is in fact 6 feet tall. It just looks tiny because of the height of the tower which is 60 feet. And if you zoom in, you can see the 16 facets and the varying shapes, created to perfection. Such complex design with 16 facets would be impossible without the help of advanced machines and tools. What kind of technology was used back then and why do we have no mention of this lost technology in history books?

Now, the really fascinating feature is that, while the entire structure is made of granite which is locally available, the lingam and the Kalasam are not made of granite. They are made of a type of rock called black basalt which is not available anywhere within an 800 mile radius. Why did they take such pains to transport black basalt from a far away land and use it on specific structures? If you look carefully, we can see why. You can see that the sculptures made of granite, show lots of corrosion, because of the salty sea breeze. However, there is no sign of corrosion on the Kalasam or the lingam because black basalt does not corrode. This is why, the most critical pieces of the temple were made with black basalt.  The ancient builders not only used advanced machines, but also understood the chemical properties of various rocks.

But we are only scratching the surface of this lost technology. Why is the oldest lingam in the world, also the most complex, yet the most perfect lingam? Why is the sanctum facing perfectly to the east, so that the very first sunrays will fall on this lingam? Is it a mere coincidence that the Kalasam was built exactly to 6 feet, lingam to 12 feet and the tower to 60 feet? Why was this kind of accurate measurements necessary? Why did these 2 structures need to have exactly 16 equal sides? What is the importance of creating them?

So, what do you think? Were these structures made with machines? How else could the ancient builders create a 16 faceted structure with no errors in angles, 1300 years ago? What was the purpose of placing these perfect structures in temples? Please let me know your thoughts in the comments section