2000 Year Old Anti-Gravity Jar Found in India? SECRET REVEALED

 

Hey guys, today we are going to look at a very strange object, a jar which has magical properties. This anti-gravity jar is at least 300 years old and is displayed at the Museum of Kancheepuram in India. It looks like it has been made of wax, but it is made completely out of clay. It does not have a lid anywhere, so how do we use it? On the top it has holes, but you cannot pour water through these top holes. The only way to pour water is to hold the jar upside down, and you can see 5 holes at the bottom, and you can pour water through these holes. Now, you can see the water disappearing, but if you put the jar in an upright position, the water does not drain through the bottom holes. This is why it is called the Anti-Gravity jar. Now, notice that if the jar is kept upside down, the water is also not draining through the top holes. How did the water magically disappear? Where did the water go? The only way to get the water back is by using the spout, all the water we added through the bottom can be retrieved only through the spout.
This jar is about 300 years old, but similar jars were used even 2000 years ago in India. What kind of technology was used many centuries ago, to create this magical effect? Remember, this jar is made of clay, so there is no way to put a rubber stopper or a cork inside, because when you bake this clay jar in a furnace or kiln, the rubber or cork would have turned into ashes. Also, if you shake it, there is nothing moving inside, it has no moving parts at all.
This jar proves that real magic and supernatural abilities existed in ancient times, this is why the jar defies the law of Gravity. Things like this exist – I have even shown you a supernatural road that defies gravity in the U S. If you drop a ball in this anti-gravity road, the ball will roll up hill, against the law of gravity.
Now, let’s see how this magic jar was really made. I have built the same model here, but I have made it on a transparent container, so you can see how it works. On the bottom of this jar, I have placed a funnel in an inverted position, and I have attached a 90 degree bend at the end of the nozzle here. So, when I invert the Jar, and pour water through these holes, the water goes through the funnel, but does not stay there and gets released into the jar. But when I put the jar back in the upright position, the water cannot get back into the funnel. The water stays around the funnel and comes back out only through the spout. This is exactly how the 300 year old Magic Jar works. Or is it?
We have conveniently forgotten that the anti-gravity Jar had holes on the top as well. So, if I make holes on the top of this container, will that complete the model? No, it actually ruins everything because if I fill water through the bottom holes, the water will drain through the top holes. Remember, the original Jar did not leak through the top holes, when it was being filled from the bottom. So, I had to add another funnel at the top with a 90 degree bend to complete the model. And now, if I pour water through the bottom holes, it will not hit the top holes, and will remain in the main chamber and can be poured out only through the spout.

So you can see how complicated this design actually is. And why were these holes made at the top of the magic jar? Just to confuse us? No, remember this jar has no lid, without these holes, there would be no air circulation inside the jar. If someone left it with water inside, the water will have no room for evaporation without these holes, so the top holes are absolutely necessary. It shows how clever people were many centuries ago. Now, everything I have used is plastic and I am able to glue the pieces together, and I can also open the container and make changes. But the original Jar is one piece and is completely made of clay. When you bake a clay model like this in a furnace or a Kiln, the clay will expand and will get deformed. Any slight change or just one crack inside will completely ruin the magic effect of the jar. And you can see how the jar has a shiny green glazed appearance. This color and shine has remained intact even after repeatedly using it for 300 years. Who made these amazing jars and why?
These jars were made in a small village called Karigiri, this is why these jars are known as Karigiri Jars. Potters in this village, designed many ingenious clay objects which baffled general public. Many centuries ago, Karigiri was the center of these “magic” items. It is said that they built about a 100 different magic containers and each one gave a different effect. Today, these clay jars are no longer made in that village and are displayed in Museums. Out of 100 different types of magic containers, only half a dozen exist today.

The most interesting jar was called the Akshaya Patra, a jar that never runs out of liquid. This is a metal replica of that jar. If you pour a small glass of water into this jar – This jar magically turns it into wine, and Let me empty this completely. But this jar is inexhaustible, this is what the term “Akshaya Patra” means, it has a never ending supply inside. In Greek Mythology, there is an inexhaustible vessel called ‘Cornucopia”, which can never become empty. This jar is the real deal, now I can get some more wine out of it. And I have emptied this completely now, but if I leave it on the table and just wait, it will refill by itself. Modern magicians often use this container and call it a Lota bowl. The word Lota actually comes from Sanskrit language, we still call it Lota, which means a cup or a vessel. And you can see again, I can pour some more wine. These Lota Bowls originated in India nearly 2000 years ago and British Magicians took it from street magicians of India just 200 years ago. This is a very clever trick and it is still very effective on spectators, many people get completely confused by this lota bowl.
So, how does the lota bowl work? This jar actually has 2 chambers inside. When it looks like I completely empty this jar, there is another secret chamber which is still holding some liquid. This is how the jar actually looks inside. And If you observe carefully, you can see that there is a small hole near the top of the jar. There is also a small hole at the bottom. So when I fill this jar, both chambers will have the same level of water. But if I close the top hole, there would be no atmospheric pressure acting on the liquid inside the secret chamber. This means that the water from the secret chamber will not go back into the main chamber through the bottom hole. This is why, I am able to close this hole and pretend to empty out all the liquid, while the secret chamber still has a lot of liquid inside. Now, understand that these magic jars were used more than 2000 years ago in ancient India. This means that ancient people not only understood the concept of atmospheric pressure and its effect on liquids but also used it for entertainment, more than 2000 years ago.
I hope you enjoyed watching these ancient magic jars. I am Praveen Mohan, thanks a lot for watching, don’t forget to subscribe and also click on the bell button to get all the updates. Please give this video a thumbs up and share it with your friends and I will talk to you soon. Bye!

Praveen Mohan

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3000 Year Old Temple shows Advanced Technology? Uthirakosamangai, India

Hey guys, today let us take a look at this ancient Temple called Uthiragosamangai. It has some stone carvings which have baffled all experts. There are these statues of large saber toothed lions called Yalis. But inside the mouth of this Yali, is a perfectly spherical stone ball. You can roll this ball, you can rotate it, but it cannot be pulled out of the mouth. People have recently vandalized it and have tried to pull out the ball using force, damaging the statue, which is why it has been closed for public view. How was this mysterious structure created in ancient times?

In fact, the state Government is so baffled by this artifact that they have created modern day carvings like this and placed all over the state. This is a modern day recreation. These were created using high tech machines. Modern Sculptors put flexible sculpting tools inside the mouth and carved the ball. Some experts have theorized that ancient builders followed a similar procedure. After carving the Lion’s mouth, ancient sculptors would have worked for countless days, and slowly chiseled this stone ball inside, using primitive tools.

But locals in the temple area, point out to something much more interesting. They say that these modern statues have a serious flaw. In newer statues, the ball inside is the same material as the rest of the structure, everything is made of one solid rock.

But in this ancient statue, while the lion is made entirely out of one solid block of granite, the ball inside is made of a different material called Onyx. Look at the color difference: the statue looks much lighter, while the ball looks black in color. Now, why are we not able to pull the ball out of the lion’s mouth? Because the ball is larger in size, than the openings in the mouth. But how was the ball, which is made of a different rock, put inside in this opening the first place? This ball is not a flexible rubber ball, it is made of solid rock, so it would be impossible to achieve this without rock melting technology. Remember, I have already shown you clear evidence of Rock Melting Technology at a different temple called Ramappa Temple.  So, does this statue prove that ancient builders were melting rocks? How else could such a feat be accomplished.

Many tourists see this mind-boggling statue, and think that this is also a modern day creation, but archeologists confirm that it is older than 600 years.  However, the temple was already mentioned in a 9th century text called Tiruvasagam, making it older than 1200 years. But locals believe that this temple is one of the oldest temples in India, about 3000 years old. According to locals, this temple was entirely built 3000 years ago using advanced technology, and not using primitive tools. As evidence they point out this carving.  Here you can see an elephant carved inside a one inch circle. You can see all its features, including the eyes, so what kind of tools were used in ancient times? The temple contains many  strange features, it houses a 5 foot tall dancing Shiva made entirely out of emerald. There is also  a tree which botanists have confirmed to be 3000 years old.

While historians claim that human beings lived a primitive lifestyle 3000 years ago, what we actually see is evidence of Rock Melting Technology, extremely sophisticated carvings and proof of an advanced civilization.  Did we once have a highly developed civilization which used advanced technology? How else can we explain these evidences?

Please let me know your thoughts in the comments section.

-Praveen Mohan

Bike Carved in a 2000 Year Old Temple. History is WRONG?

Hey guys, I am at this ancient temple in India called the Panchavarnaswamy Temple  temple and here you can see something quite extraordinary. In a dark corner, on one of the walls, we can see this amazing carving of a man riding a bicycle.Historians tell us that the bicycle was invented in 1800s, just 200 years ago, but how was this carved in this ancient temple which is about 2000 years old?

Before we go into this, first let us confirm if this is really a bike. Here you can see a man holding 2 ends of the handle bar, and is in a sitting position on the saddle. One of his feet is clearly on the pedal, if you look closely, you can even see the pedal underneath. There are two wheels, this is clearly a bicycle, there is absolutely no doubt about this. And we have read in history books, that bikes were invented in the last 200 years in Europe. But this carving does not show a European, it shows an Indian man with a large moustache, and a shawl on the top. His waistcloth confirms that this is an Indian.

Is it possible that bikes were used in India thousands of years ago? Are we looking at evidence of suppressed history? To understand this, we need to learn how bikes work. To ride a bike, we need three important things, wheels, Mechanical power transmission like chain drives and the ability to balance your body. All experts agree that wheels were invented in copper age, which is about 6,500 years ago. Archeologists recently discovered a chariot with wheels in India which is at least 3800 years old. We have clear evidence that complex power transmissions systems were used in ancient times. Not only do we see gears, we have solid evidence of lathe machining which would be impossible without mechanical transmission systems. We invented wheels 6500 years ago, But why did it take human beings more than 6000 years, to invent the bicycle?

Some experts give a strange reason for this. Since early human beings evolved from apes, they were not only unable to put complex ideas together, they were also not able to balance their bodies like modern human beings. Today, we have learnt to use our bodies to do impossible acrobatic tricks, this is an evolving art but ancient people were physically clumsy people. But this theory is nonsense, because the carvings in ancient temples clearly prove that early human beings were able to do these great acrobatic tricks. They had better, flexible bodies than us, these carvings are incredible but that’s another video. So, we can see evidence of wheels, transmission systems and body balancing in ancient Indian temples. Did it really take many thousand years to put all these three things together to create a bike, or were bicycles really used in ancient times?

But what do mainstream archeologists and historians say about this carving? They have very simple explanations. Some have argued that this temple was entirely built just 100 years ago. Since this is not an ancient temple, all these carvings are new, and sculptors carved what they saw. There were bikes 100 years ago, so it was easy for sculptors to carve this. Are experts right? Is it possible that this is a new temple built in the last century? No, because this temple is mentioned in the 7th century text called  Tevaram. This text, written in ancient Tamil language clearly mentions this temple by its name. Therefore, this temple existed 1200 years ago. There are not only inscriptions on the temple walls to prove that this is an ancient temple, this site was even recorded by the Greek geographer Ptolemy who lived about 1900 years ago, so this temple must be at least 2000 years old.

Other experts have claimed that although this is an ancient temple, this pillar is a new addition. But look carefully,  this is not a free standing pillar. If this is a pillar standing alone like what you see here, we can argue that it was a recent addition, but the bicycle is carved on the walls. It looks like a pillar but it is in fact part of a large wall. This means that the entire stone block was a newer addition which is highly unlikely. Some experts have even claimed that the wall was in fact an ancient wall, and modern sculptors merely carved the bike on the existing wall. This is impossible, because all sculptures are created at a raised level than the planes they are sitting on. If such a carving was to be made recently, then they would have to level the entire plane of the existing wall to make this carving stand out. If this was done, it would have been a major reconstruction or renovation project.  But even after extensive research, I find there is absolutely no evidence to show that there were any major additions or renovations done in this temple.  While I am able to trace evidence of this temple and its sculptures back to as far as 2000 years, I am not able to find one single record of any renovation that happened in the last 2 centuries. So, all these theories that this is a new carving are completely baseless.

But why are archeologists and experts coming out with these baseless theories? Their argument is simple: Since this is a bicycle, and bicycles were invented just 200 years ago, this must be a recent carving. If they even  mention the possibility of advanced ancient technology, mainstream experts would quickly label them as pseudo-scientists and they would be out of their jobs. But ancient Indian temples are full of these evidences of advanced technology.  Remember, I have already shown you a telescope carved in the 900 year old Hoysaleswara temple. We have seen advanced technology such as floating rocks used many centuries ago. We have seen clear evidence of machining in ancient sites. So, my question is simple. Is it possible that bicycles were used in ancient times, or is this just an elaborate hoax?

-Praveen Mohan

Baffling Ancient “OOPArt” in India? Weird Idols of Ramappa Temple

Hey guys, this is the ancient Ramappa temple and you are looking at a very fascinating structure full of brilliant carvings, but your eyes are naturally attracted to these shiny black idols, which look completely out of place. Almost all visitors are totally spellbound by these idols – this is the center of attraction in this temple even though most of them have been destroyed by invaders.  When you look at these idols,  why do you think that these idols don’t belong here, they somehow feel like out of place artifacts? Because your mind’s intuition tells you that these idols could not have been made without machines, and you have been taught through a lot of books that ancient builders did not use machines. This conflict is why you feel that these are out of place artifacts. This is not only happening in your mind, but all visitors get confused and mesmerized by these idols at the same time.

Almost all visitors think these are modern day wax models molded and recently placed, but archeologists confirm that these are at least 800 years old. The temple has thousands of great carvings, but they can be made with simple tools, but these statues, known as Madhanikas, cannot be made with chisels and hammers. Such perfect statues can be made only with advanced technology. These idols seem to have no human errors, they are so well polished, they actually create a phenomenon called “highlights and shadows” due to their reflection. What do I mean by this?

When a material is polished with hands, it doesn’t achieve a great level of reflective surface, but when an object is created with machines, it becomes so reflective that it automatically creates lighter areas called highlights and darker areas called shadows. In reality this container I am holding doesn’t have any dark or bright areas, but it reflects the light in the surrounding to create these illusions. This is similar to highlights and shadows in photography, but that effect is created by light. This effect is only achievable on stones with polishing created by machines.

For example, you can see this woman called Nagini or Snake woman. On her body, you can notice several shades of lightness and darkness. The entire structure is made of one stone, but this is so well polished, that it automatically creates dark areas and light areas. And in photography, we create this effect by using sunlight or by reflecting sunlight using reflectors, but these statues are so well polished, they don’t even need sunlight. Look, the sun is above the roof, it is not shining on these idols and you can still see plenty of shades, because they are reflecting the light from the surrounding. The tour guides tell me that the shadow of the necklace falling on her body is also an illusion. If there is no sunlight, how could there be a shadow? People are baffled by this and locals believe there was some sort of heat treatment done in this area to make it look like a shadow. However, I think this is a shadow cast because of the extremely well polished surface, and it takes the light from the surroundings.

Now, what kind of technology existed 800 years ago which can create this level of perfect reflection on solid rock? Archeologists and historians are repeatedly telling us that ancient builders were primitive people who used simple tools. In reality, this effect can be created only by using advanced technology.

In today’s technology, we are able to melt wax and mold it into realistic figures, but we have not been able to mold rocks into statues. But these statues, which are made of black basalt, a very hard rock, have been created using similar technology. Unless we test them in a lab, we may not be able to find out if they used melting technology or machining technology. Look at the back of the idol here. This is how black basalt really looks. A stone that looks like this was finished to look like this – how was this possible? It is impossible to achieve this level of polishing with simple abrasives like sand. And remember, I have already shown you carvings in the same temple which look like drilling and polishing tools. You can watch it by clicking on the top right corner of this video. Were these idols created using molding technology or with machining tools?

These figures have a strange effect on your eyes. The more time you spend on them, the more  you are amazed by them. Today’s statues and paintings have errors, for example look at this painting of a woman wearing shoes. In this position of her foot, there should be a gap between her shoe and her foot. This is a mistake made by the painter. But there are no such mistakes in these idols, and you may think.. well, ancient women did not wear shoes, but not only is this figure wearing high heels, but the gap between the foot and her shoe is accurately shown. Here is a beautiful woman holding a bow, and a little man is removing a thorn from her foot. Look carefully and you see how there is a small swelling on her foot because of the thorn. These are just uncanny details.

Here is a naughty monkey pulling this woman’s clothes, and the dress has come down from her waist, revealing her private parts. Of course, you can see that this hand has been destroyed by invaders  and  in this picture, I’ve tried to recreate this hand, and originally it would have completely covered her genitalia. What really surprises me is not the perfect depiction of this area. What surprises me is this:  The space between the hand and her genitals would have been less than one inch. It would be impossible to carve this with simple tools like chisels because  you would need a lot more space to use the chisel and make the hammer movements. This would not even be possible with many of the modern tools we have, because there is simply not enough space even to put these tools in. So, how were the ancient builders able to carve her private parts under her hand ? Perhaps the real clues are these 2 perfect circles found on this idol. Originally, this figure had a necklace, but it was destroyed but what we see here are 2 perfect circles which stand as connection points between her body and the necklace. So, ask yourself, what are these 2 circles doing here? If this entire structure is made of one solid rock, you should not see these perfect circles when the necklace was destroyed.

What you would see is an unshapely dis-figuration like this area on this statue. So, think about what kind of technology would have really been employed. And of course, there is another important question we need to ask ourselves. Why were these statues placed around the temple? No one has answered this question until now. There are a total of 12 statues and each one represents a sign of the zodiac. Watch the video again, and you can find connections between each statue and a zodiac sign.

So what do you think? Were these idols made with advanced technology by superior builders or were they created with primitive tools by hardworking laborers? Please let me know your thoughts in the comments section.

-Praveen Mohan

Ancient Engineering Technology – Ramappa Temple, India

Hey guys, let’s take a look at Ramappa Temple which was built at least 800 years ago, and by the end of this video, I think you would agree with me that ancient builders must have used a very advanced technology, similar to modern day technology.

Let’s take a look at the ceiling in the center of this temple. In one square, we can see hundreds of Gods and if you zoom in and shine a flashlight, we can identify each and every one of them. Every corner tells a story. We are not going to examine the complex spiral designs which look like 3d cymatic patterns, we are not going to look at the protruding buds, and the centerpiece which is hanging out in the middle. We are only going to zoom in on the smaller figures which are less than 1 inch long. This temple was invaded by a commander called Malik Kafur, and he destroyed some of these figures.

But what’s fascinating is that after he destroyed the figures, you can clearly see the X mark behind them. This means there is a gap between each small idol, and the surface at the back. The idols are very small, less than 1 inch long, so the gaps between the idol and the background must have been in millimeters. So, how did anyone create these X marks behind them within these small gaps? Forget about ancient machining technology. We cannot even carve these X marks today, because there is no room to put your hands inside and carve them? How can we make the X pattern on solid rock, with 2 millimeters space to carve, even with modern machinery? We would need flexible drilling and polishing tools similar to instruments used for advanced surgical operations like laparoscopy. Even if they were molded using rock melting technology, the ancient builders would still need very advanced precision tools to create the mold or the frame itself.

But there is more baffling evidence of ancient machining technology. This temple has a series of statues placed all around it, and at first look, you think they are modern day wax models molded to perfection. Archeologists confirm that these were made by ancient builders, but there are no tool marks, and no human errors made on these structures. Were they created using high tech engraving and polishing tools, similar to what we use today?

Now, what really baffles me about these statues is not how perfect they are, but how they are still standing in place, even after a powerful earthquake shook this temple. The earthquake dislodged many of the blocks in the temple, and I have already shown you how the ancient builders made this structure earthquake proof.  But how did these statues, not fall down?

These are individual statues made of black basalt and are standing at an angle. How are they attached to these sandstone blocks behind them? Normally, it would be impossible to find out, but ancient builders were extremely clever, they knew that someday, someone would come looking for answers.

This is why they created a miniature model, a 3d prototype of the temple, and placed it in the temple campus itself. And all I had to was to identify the spots where the statues would have been placed. Look at these rectangular slots here, and the protruding base here. This is where the statues stand in the actual temple. Now we understand how these statues are standing firmly even after the earthquake. These statues were fitted on the slots, so they wouldn’t fall down.  This is really fascinating, because if we look at the miniature model, it would have been easy for the ancient builders to create smaller statues and fix them in these appropriate places. But why did they leave these slots empty? If they had placed small statues in these places, the slots wouldn’t be visible. They left it empty, so we, the future generation can understand how the statues were fit in place. Is it possible, that the ancient builders are trying to teach us how they actually built these temples?

And there is one thing I did not fully understand about the ancient earthquake proofing technology. How did these rectangular blocks called Plinth beams come above the ground? In modern buildings made of concrete, the plinth beams will try to withstand the earthquake, and in case of a powerful earthquake like what happened here, the entire structure would have collapsed. But it did not happen in this temple – when the earthquake struck, the plinth beams popped out from underneath the pillars, and saved the temple from collapsing. So, how were the plinth beams fixed to these pillars? The answer is in the miniature model. At the bottom of the pillars, you can see small slots carved. This is where the plinth beams were inserted. This type of basic slots are neither too tight nor too loose. When a powerful earthquake occurs, the pillars would let go of the plinth beams, and the plinth beams will break, saving the temple from collapsing. If they would have been made a rigid construction, like modern concrete structures, the entire temple would have been collapsed.

We can see that the ancient builders are answering all the questions which have baffled us. But what about the tools used to carve behind these very small idols on the ceiling? This temple has used some extraordinary drilling technology, there are holes which are only a few millimeters wide. You can only pass a flexible thread through them, not even a straight object like a needle. These minute holes cannot be created with chisels, especially on such a hard rock like basalt. They must have definitely used advanced tools like modern day drilling tools. If ancient builders used such advanced tools, wouldn’t they show them on the prototype as well?

Here we can see something remarkably similar to a modern day drill bit. This carving looks almost identical to a tool that we use today – uh -This tool is called step drill bit, and has many advantages over a regular drill bit. If you compare these two side by side, they both have the same conical head, with horizontal lines which are called steps, and both have them even have a vertical groove in the middle. But it is the bottom part of the carving that confirms, this a tool bit. Today our tool bits have a hexagonal stopper at the base to lock into the chuck and not slip. They also have a cylindrical groove at the top of it. This 800 year old figure shows the exact same thing, except that it has a square base to lock into the chuck and has the same cylindrical groove. Are ancient builders trying to tell us that they were using advanced tool bits, just like what we use today?

If these carvings are not tools, what else could they be? We can see everything else is identical between the prototype and the actual temple. Here we can see the small bull on the prototype, and the much larger bull is also there. We can see small pillars and we can see the larger pillars in the temple, which look exactly the same. We can see everything that is shown in this prototype recreated at a larger scale in the temple.  But we don’t see these large scale drill bit like structures anywhere in the temple. Why did they carve them in the miniature model, if they are not present anywhere in the actual temple?  Were they simply left as clues for us to find out how this temple was built?

Perhaps the real evidence can be found at Warangal fort, which is about 40 miles from here. There are carvings of Hindu Gods, but look into their hands. They are shown holding the same drill bits. In many Hindu temples, Gods are shown holding just the head of these tools. And some people believe this represents a pinecone or even corn.  But in these carvings, we can see that the Gods are shown holding the entire tool with a long base. This confirms that this is definitely a tool used in ancient times.

If ancient builders used high tech instruments like drilling machines, perhaps that technology would explain the mystery of these pillars. The pillars in the temple, don’t make any sense. Some parts of the pillars, look like they have been molded. Other parts of the same pillar look like they have been machined with power tools. How could  a pillar made of one solid block of stone, show 2 completely different types of processes? And there is something even more confusing. You can see that the pillars are slightly bent at the top portion. When the earthquake struck, these pillar actually became bent out of shape. These are made of basalt, a very hard, brittle rock. Rocks break, they don’t bend like plastic. So, what’s the secret of these bending pillars? Let’s go back to the miniature model one last time, and these miniature pillars are carved here, and they are identical in design to the actual pillars. They even have these straight slots and curved slots, so we know these are the same pillars.  But here, we can see something very strange, there are triangular marks connecting the rectangular piece at the bottom to the cylindrical piece at the top. Today, engineers we use a type of joint called Taper Joint, it is considered a very strong joint. To connect 2 different parts, one part is created with a tapered protrusion, and the other part will have a tapered hole. And both these parts will be connected by force, and it is nearly impossible to separate them afterwards. Is it possible, that these conical symbols represent taper joint, to show that these 2 separate stone blocks were joined together to make one single pillar. Does the bottom stone have a tapered protrusion, and the top stone have a tapered hole? This theory perfectly explains why the pillars look bent at the top. The pillars made of single stone would have broken, but these pillars must have been made of several blocks and assembled with taper joints, which is why they are bent.

But at this point, the whole idea of taper jointing several blocks to make a pillar is just a theory. To really prove this,  I would have to climb up above 8 feet, and examine these pillars, to see if they are in fact made of multiple blocks. And Archeology department refused to give me permission to examine these pillars.

But I really had to find out, and there are a few abandoned ancient temples nearby which are not maintained by the department of Archeology, I mean no one even enters these temples.  So I decided to go to a temple called the underground temple, which was built around the same time. I will show you this temple in another video, but we are going to find if these pillars are made of one solid piece or if they were  made by joining different blocks. And I find exactly what we are looking for. The joint is clearly visible at the top, and you can see it has dislocated a little bit when earthquake struck. If you look inside, you can even see how these two stone blocks are joined, there is a protruding piece on the bottom stone, which is fitting inside the hole of the stone at the top. There is no doubt that this was the same technology used in the pillars of Ramappa temple.

I think, for the very first time in many centuries, we are actually beginning to understand what the ancient builders are trying to say. They have put these symbols of tools, joints and slots for teaching us about their technology. And I think we have successfully decoded these symbols. What do you think?

Please let me know your thoughts in the comments section and please do share this video with your friends.

-Praveen Mohan

Floating Stones of Ramappa Temple – Advanced Ancient Technology

Hey guys, this is a rock taken from an 800 year old temple in India, and it has some strange properties. When dropped in water, it doesn’t sink like normal rocks, it floats. There are some rocks which naturally float in water, like Pumice but this rock  you see here, is not a natural formation. In fact this is not a rock, it is a brick, made by heating a mixture of mud and other materials to a 1000 degree Celsius, and was made into a lightweight block.

During my recent exploration I met 2 guys, Dinesh who is an architect and Arvind who researches ancient sites. They explained that we use the same technology today, these blocks are called ACC or AAC blocks. AAC stands for Autoclaved Aerated Concrete – and is made by injecting foam into concrete which makes the block lightweight. These blocks when dropped in water, also float just like the ancient brick we saw. If we look at the Wikipedia page, it shows that AAC was invented in mid-1920s, just 100 years ago. However, we can see that this technology was in use 800 years ago in India.

Now, we don’t know what the ancient builders used to make the bricks float, and I could not get a sample of this brick to examine the ingredients. Since we don’t know how it was created, let’s move on to Why these bricks were created. I mean, what could possibly be the use of creating such lightweight bricks in Ancient India. This brick was taken from a temple called Ramappa temple, so I decided to go to the temple and find out why these light weight bricks were used.

You can see that this is a fabulous temple, the bottom portion is made of sandstone, which stands to a height of more than 25 feet, but there is a huge tower on top which is completely made of these floating bricks. It has now been covered with plaster of Paris by the archeology department. Why did ancient builders decide to create and use lightweight bricks for the tower? Why do we use AAC blocks today?  Modern Engineers recommend the use of lightweight blocks in buildings to make them earthquake proof.

Structures built with heavy materials become rigid and are less flexible when earthquake occurs. When an earthquake happens, the building can sway horizontally or vertically and if the building is too rigid, it will start cracking and begin to collapse. On the other hand, light weight blocks like these floating Bricks, have these holes and are half the weight of regular bricks – these can make the structure more flexible to ground movement. If we make a building with these floating bricks, the building will swing and sway along with the ground, and will not collapse. This is exactly why, these floating bricks were used on the tower, to make it earthquake proof.

Now, all this sounds great in theory, but can this temple really withstand an earthquake? Let’s go inside and you will be surprised. As soon as you enter, you realize that this temple was affected by a massive earthquake. Look at these sandstone blocks, they have been twisted out of place and are not at the same level at all. This is the center of the temple, look at the floor. These rectangular rocks at the base, have popped up and are protruding on all sides. These blocks are called plinth beams and have been dislodged by an earthquake and the pillars have sunk to about 14 inches inside the ground. The original pillars would have stood 14 inches taller.

Remember, I showed you the exterior of the temple a few minutes ago, and at that time I guarantee you that you would have not guessed that this temple was  affected by a massive earthquake. This earthquake occurred on April 1st 1843 and destroyed all the houses around the temple, but the temple which was already 600 years old at that time, was able to withstand the earthquake.

Now we can understand, why the ancient builders created these floating bricks, their earthquake proofing technology was not just a theory, it is a fact.

Right next to the main temple, there is a miniature model of the temple and this tower is also made of floating bricks. In the last century, many people have stolen these floating rocks from the smaller tower, which is why it looks like this now.

You may wonder why the bottom portion of the temple, which is made of sandstone did not collapse. The bottom structure is designed with an extremely wide base. The plinth beams were not rigidly connected, but were given gaps, so they could pop out and save the structure, when earthquake occurs. But most importantly, ancient builders employed a technique called Sandbox Technology. What is Sandbox Technology? The ancient builders dug a trench which is more than 10 feet deep, and filled it with a strange mixture. Initial analysis shows that this mixture consists of powdered granite, Non-centrifugal cane sugar, sand and another unique compound which has still not been identified. The temple was erected on top of this mixture, and the mixture acts as a cushion, and absorbs the vibrations of earthquakes, minimizing damage to the temple.

Praveen Mohan

Ancient Battery Described 4000 Years Ago in India?

I have been recreating the electric battery, which was used in Ancient India. This battery was described by a sage called Agastya who lived at least 4000 years ago, and what I am making is according to what’s being described in the ancient text called Agastya Samhita.

This text, talks about using an earthen pot as a container and using two types of metals: Copper and Zinc. So, this is how the setup looks. If I test this with a voltmeter, you can see there is no voltage so far. Now, the text mentions that sawdust must be put in the container.

When we add sawdust in the container, the sawdust goes in between the two metals, and makes sure they don’t touch each other, or create a short circuit. If we check the voltage now, we can see that it is already producing 0.4 or xx volts. But the text mentions adding yet another strange material to complete the battery: The neck of a peacock. In the ancient Sanskrit text this material is mentioned as shikhigreeva, which means the neck of a peacock. Many secret cults exist even today, and these people still trying to recreate the battery using the actual neck of a peacock. For example, even this year, 10 peacocks were found dead by strangulation in India, and cops are trying to figure out as to why this is happening. This is because these cults are trying to use the peacocks neck to recreate the ancient Indian battery. But this is a mistake, because all ancient texts, especially those related to alchemy use code words, to confuse the public.  Even Isaac Newton mentions using Green Lion, and experts are trying to figure out what he actually meant.

Read the rest of the story here: https://goo.gl/8CuFKf