Hey guys, what is this girl doing? Is she using a cell phone? Look at that, right? she is holding a slim, rectangular device, right next to her ear and mouth, just like how we use a cell phone today. But this temple is at least 1000 years old, so how is that possible? What about this one? Look at this woman. Again, she is holding a thin, flat, rectangular device, in a position, just like how we hold a mobile phone. What is that device? What could that possibly be? We think, cell phones were invented in the last 100 years, but why do we see these strange carvings in this temple called Rani Ki Vav, which is at least 1000 years old, even by main stream accounts. Many experts argue that this is just a mirror she is holding, but no, I will show you the carving right next to this one. This is a mirror, it is bigger, it has a handle to hold, she is directly looking into the mirror, primping and preening. This is a mirror; this one is definitely not a mirror. She is not even looking at it, because we don’t look at the phone while we are doing a voice call, do we? Here is another carving I found in the same temple. Look at this figure, what is she doing? She is keeping a rectangular gadget, in a position, as though she is leaving a voicemail. This is exactly what people do, when they leave a voice message on WhatsApp, right? But there is something even more crazy, look at what is happening below her. This guy is clearly putting his hand on his ear, and is listening and talking. I think it is crystal clear, that they were using some advanced wireless communication. Were they using cell phone like technology in ancient India? By the way, the quality of all these photos is lower than usual, because we cannot access this area, this zone is barricaded, so I am zooming in as much as I can. I wish I could show you in a higher quality, so we can analyze more details. It is really mind boggling, to see such spectacular carvings showing that ancient Indians may have used cell phone or wireless technology. Remember, about 2 years ago, I posted a video of these 2 carvings which went viral at that time. On the left, she appears to be using a cell phone, even more weird, on the right, she appears to be using an iPad or a tablet, and she even has a stylus or a digital pen and seems to working on that device, Just like how people use a stylus and make digital art on a tab. I did not film this by the way, these photos were sent to me through email, and when I posted them, there was a huge uproar, because it goes against mainstream history. According to modern historians, ancient Indians did not possess such advanced devices. According to them, 1000 years ago, or let’s go back 5000 years ago, Indians lived a very primitive lifestyle using simple tools like sticks and stones. However, if you read ancient Indian texts which are classified as “mythology” now, they always talk about very advanced technology matching today’s technology. They talk about how they used aircrafts or Vimanas, they talk about weapons like nuclear weapons which could destroy an entire city. In these ancient Vedic texts, they mention this cell phone technology or wireless communication, everywhere. For example, there is a movie that was made in 1957, I cannot post the video because of copyright issues, but you can see that the people open up a box, and inside that box, you can see people from far away and you can talk to them. You can basically communicate with audio & video to anybody in the world. When people saw this movie 60 years ago, they just thought it was magic, but this is advanced technology, this is exactly what you are doing when you are doing video call or facetime. So, we have to question ourselves, is it possible that ancient Indian texts were mentioning advanced gadgets like cell phone and wireless technology? Look at this carving. What’s that on the left, just behind the shoulder? That is a very strange device. It has two wires going from the bottom, and on the top, there is a rectangular object. Can you guess what this is? It is an ancient wireless device. We have seen police officers use the radio to contact others, they usually put this device right behind the shoulder, so they can turn their head and speak into it. Look at the similarity. Is it possible that this was also an ancient communication device? If not, what else could it be? And all these carvings I am showing you today, are ancient carvings that are at least 1000 years old. They are all from this fantastic temple called Rani Ki Vav, and I have personally shot these pictures and videos you are seeing. So, in my mind, there is no doubt that ancient Indians were using very advanced communication technology. But what do you think? Did ancient Indians use cell phone or wireless technology? If so, how was this technology lost? If they didn’t use such technology, what do these carvings show?
Hey guys, An Ancient Secret Lies Hidden in these female carvings of Rani Ki Vav Temple. These Women, known as Madhanikas are carved in most Indian temples, but in this temple, they reveal a shocking secret.
Here is a woman, just waking up from her sleep, see how she is stretching her arms, as we all do as soon, we wake up. Notice her hair, how it is made into a casual bun from last night. What would she do next? Of course, she has to go take a bath and get ready for the day.
She has now taken a bath and is standing in front of a mirror. Look at her hair now, it is not in a bun, she has long wet hair. And she is wrapping a towel around her hair, and drying it. This is called a towel-wrap, and most women do it today, before they use a hair drier. The sculptor has beautifully captured this moment, where she is casually drying off her hair. But there is a twist in the carving, you see this bird? What is it doing it here? The water droplets from the tip of her hair, is trickling, drop by drop, and the bird is fascinating by this, and it is drinking those water droplets.
Now look at this figure, this is carved in the restricted area of the temple. So, I couldn’t get a close-up view of the carving. But she is doing something strange. She is holding a weird device. Can you tell me what it is? Yes, it a hair drier. I know some of you will say, this is a ridiculous claim, they did not use hair driers a 1000 years ago. But what if I told you Indians still use these ancient hair driers, but they are not electric hair driers. In India, most women still do not use electric hair driers, they burn a natural benzoin resin called Sambrani.
They will put it inside a container and light it on fire and close the lid, which has holes in it. The device has a long handle and benzoin burns slowly and the women let their hair dry from the heat and smoke. We can buy these native hair driers in any country store in India. Ok, what happens next? Of course, she would put on makeup and lipstick, right?
And you may think that Indian women did not use lipstick in ancient times, but you are wrong. Again, and again I have shown you ancient carvings where lipstick was used by women. This is a thousand-year-old temple and you can see clearly that she is putting lipstick on. This is why I keep saying that we should recognize Rani Ki Vav as a wonder of the world, because it changes history, many people think lipsticks were invented in Europe. No. Indians were using lipstick more than two thousand years ago. In my previous videos, when I mentioned that ancient Indians used lipstick, many historians tried to dismiss it saying, no she is chewing betel leaves, or she is about to eat a piece of clove, etcetera, simply because it goes against the mainstream narrative. But the ancient text of Kamasutra clearly mentions that women used lipstick to appear beautiful. The book even tells us how they made lipstick – it was made of beeswax, and coloring agents. And this book is around 1800 years old, so you can imagine how Indian women were pioneers in fashion technology.
And here is another one, a woman putting eyeliner. Yes, she is looking at the mirror, and she is putting eyeliner, or I don’t know if its Mascara or what you call it. And you may have previously thought that eyeliners and Mascaras and all these fashion accessories were creations from the western world, but look I am showing you a series of ancient carvings proving that Indian women were doing all of this. Women of Ancient India probably lived the same lifestyle of today’s women, if they were not more advanced.
Now women naturally like to look good, but what else do they want? They also want to smell good, so they put on body spray or deodorant. And that is what we see here. This is the ancient Indian deodorant and it is 100% natural. She is holding a piece of sandal wood in one hand. In the other hand, she is holding a small stone, made wet with water. And she is rubbing the sandal wood, and you start to see the wood, slowly become sandal paste, and then she will smear it all over her body and it will smell like heaven. How do I know this? Because this practice still exists today, in many parts of India. But this is so backward, right? Why don’t they use body sprays? Well, 50 years from now, experts will claim that these sprays give you cancer and will recommend going back to natural sandal paste, if they haven’t already started doing that. Plus, sandal paste is a very good moisturizer, it is perfect for fixing dry skin. So, all this latest cosmetic stuff you see, like ‘Moisturising Cream Deodorant from Dove’. They were already using the same stuff in India more than a 1000 years ago.
Here you can see a woman putting red powder on her forehead called Sindoor, it is powdered vermillion, even today married Hindu women put it on their forehead, to appreciate the love of their husbands. Some now claim that this is pure patriarchy, why does a woman have to appreciate her husband, and so on. But these ancient practices are based on common sense, just like how married people in the west are wearing wedding rings. In real life, before you approach a man or a woman, you check their fingers to see if they are married or not. And this sindhoor is the equivalent of the wedding ring. And what about Indian men, right? Originally, men had to wear a toe ring when they got married, and women could look at his toe and say, oh he is a married man, and walk away. But these practices are slowly becoming extinct, because we are not researching and documenting the common-sense ideas behind ancient practices.
I am not going to show you how, many Madhanikas are putting on a variety of ornaments, okay? They are shown wearing earrings, they are shown donning anklets and so on and so forth. The amount of jewellery they wore in ancient times is insane. When we re-create this visually, it is shocking to see how much Gold was used by ancient Indian women, and believe it or not Indian women alone, still hold more than 10% of the world’s entire gold.
But everything you have seen so far, was just about the body, I mean without the mind and emotions, we would just be lumps of flesh, right?
Here we can see a mother, look at the bond between the mom and the child. If we look carefully, we can see the innocence in the baby’s face, the baby seems to be agitated, it is about to cry for some reason. Look at the hand of the mother, she is pointing to something up top, like the moon & telling the baby a random story, to pacify the baby.
Lots of carvings show women working as musicians and dancers. Here you can see this woman, holding a cylindrical object in her hands. What is that? Let me re-create that using photoshop, you see that it is a flute, she is playing a flute. But look at her standing position, she is twisting her hip, and showing her beauty while playing the flute, and also look at her feet. Her toes are not even touching the ground. This must be a native art form, where they are playing flute and dancing simultaneously.
And here is a carving where this woman is holding a pot in a strange angle. What is going here? Apparently, a traveller who was walking by, has knocked on her door and asked for water, because he is thirsty. Look how this man is keeping his hands like a cup. But she is not going to pour water, she is going to pour milk or buttermilk, from her pot. But why is she giving him milk or buttermilk instead of water? Many texts mention that ancient India was so rich, that travellers did not take any food or water with them, they could just knock on any door, and they would be fed with tasty food and exotic drinks, in fact the people were so rich that giving mere water to travellers was considered an insult. Helping strangers is a key factor in human evolution, we rarely see this behavior in other animals.
But here we can see this animal, a monkey, playing with this Madhanika. It is pulling down her robe in a playful manner, revealing her body. The woman is trying to shoo away the monkey with a stick or with her bare hand. There are multiple carvings of this theme, with slight variations.
What about this one? With her left hand, she is showing a weird hand signal, with two fingers sticking out. With her right hand, she is holding something that looks like a bowl. What is going on here? Do you see this at the bottom? Behind her legs, we can see… yes, it is a dog, you can even see one of its eyes and the mouth, and the wagging tail. She is feeding her pet dog, and she is giving it a hand signal to wait, rather than giving a voice command. Dog trainers, sometimes train dogs with hand signals today, but we can see that this was an ancient practice in India as well.
Dogs and Monkeys as pets, that is nothing right? Time to see some exotic pets.
Here is a beautiful Madhanika, but look on top of her. What are these? Are they aliens? No, they are baby owls, baby owls actually look like grey aliens, recently, some people even found these baby owls in an abandoned house, and thought they were aliens. But this woman has these owls as pets.
This is really crazy because these carvings give us a window to look into the ancient world, who would have imagined that ancient Indians had owls as pets. But it gets better, look at her hand, again you can see the two fingers, but look at the other hand. She is holding an oval bowl, but look right next to it, you can see a snake, a cobra with its open hood. Is the snake’s mouth touching the bowl? I think she is extracting the venom of the cobra into the bowl. I know that the practice of venom extraction from snakes has existed for centuries in India, but here we are seeing that the Cobra is not pressured by the woman, it almost appears to voluntarily release its venom into the bowl, and perhaps the hand signal is making the cobra do it. And below, you can see another bird, it is not an owl, it is a peacock, you can identify it by the long tail feathers. Imagine the lifestyle of this Madhanika, this is really fantastic. Who has owls, peacocks and snakes as pets today, right?
Strange, twisted, coiled snakes appear here and there. And this temple has many carvings of women with snakes. Look at this, this woman is almost going to smack a cobra, look at her hand with a flat palm, she is going to slap it gently, to teach a lesson, or something like that. Again, here is another one with some variation, she is showing a hand signal to the snake, and the snake seems to be looking at it, but her other hand is ready to gently punish the snake. This kind of a woman was called NagaKanya in ancient sanskrit, meaning “Snake Woman”, but why did women have them as pets?
Here you can see this woman, but where is the snake? There is no snake and she looks quite seductive, she is opening the robes by herself. But be careful, there is a scorpion hiding in her clothes. Was she an ancient honey trap? This is really interesting right? This type of Madhanika is called a Vishakanya, meaning a “venomous virgin”. Again, I will show you more venomous virgins in this temple, some say, they were ancient Indian Honey Traps. These are all, shot from a distance guys, because we can’t access this area, I was zooming in with my DSLR and this is the best I could get. But still, you can see it is the same idea, the women look seductive, they are removing their clothes, but inside the clothes, there is a scorpion hiding. This one is a huge scorpion by the way, it can cause instant death, I think. Some historians say that these Vishakanyas acted as spies or secret agents, and they would lure their enemies with their beauty. But once the enemy touched them, the hidden scorpion would do its thing and kill him.
Now, we have looked at various aspects of the body, and various aspects of the mind, but why are all these women carved in a temple? What is the point? The word Madhanika means something that distracts you, someone who lures you by charm or beauty. Were you distracted by their beauty? Or did you see the hidden detail? Did you find yourself there, by any chance? Did you fall into the trap and were completely entranced by the Madhanikas? Or did you, see your own soul lurking in the shadows?
Everywhere, you see a Madhanika, you will also see a man, that represents you. He is always shown hiding because of his secret dark desires. And he is always shown sideways and directly looking at a Madhanika. Look at the eyes of these men – they always fixated on the Madhanikas. Maybe you think these are just desires of hormones, and they only apply to young people and they will go away when you become older. This thought of yours, doesn’t reveal anything about hormones, it only reveals the fact that you are not older yet. You can catch plenty of older men as well, doing the same. Look around every Madhanika, you can see a man hiding, wasting away his life, watching her. This temple was not built for the Madhanikas, it was built for you, to convey a message to you, who is always distracted by Madhanikas. Who are your Madhanikas? Are they Instagram models? Are they your classmates or colleagues? Who are you thinking about, and wasting your time?
Not all men are hiding though. Look carefully at the carvings, and see how you may have completely missed them. What is going on here? The woman is holding the man by his beard and is just about to slap him. Very interesting, look at his hand, how he has clasped his hand around her knee, helplessly seeking her support. Is there a difference between this helpless man and this helpless boy? Will he survive without her? Not him, this simp. Will he amount to anything, without the approval of a Madhanika? The more you observe, the more it gets mysterious. He is not a helpless baby, he is actually a warrior, right? Look at the knife, on his waist, but has he won his internal battles? Have you ever been desperately in love with someone, who hurt you and rejected you?
And instead of walking away, have you ever tried desperately to cajole her, to please her? Have you ever humiliated yourself and tried desperately using lame tactics? I think it is obvious that this man has been friend zoned by her, but he is still in love with her.
But if someone gets rejected enough, they can become a monster. Now the man is shown cutting the woman’s leg with a knife. He is trying to intimidate her and get what he wants. Look at the woman’s posture, she is absolutely not interested in the man. But there are dark souls amongst us, who think they can force themselves on whoever they want. The woman who has just woken up has become his object of desire, and he is willing to do anything to get her, he can even resort to physical violence.
Of course, I am telling you this story from a man’s perspective, because I am a man. What if you are watching this, and you are a woman? If you are a female, are you always dreaming of some guy? And do you think only a boy or a man could make your life complete? Are you waiting for that white knight in shining armor, who is gonna make you happy for the rest of your life? But what is wrong with that? A man seeking a woman, and a woman looking for a man’s attention? That is life, isn’t it?
Here, we have to talk about the Eastern philosophy against the Western philosophy. Today, most people do not know anything about Eastern philosophy, especially Ancient Indian philosophy.
Today, we are completely immersed in western philosophy, we seek greatness from our society and its approval. The west only cares about the outside. Are people respecting you? Does your family and friends think well of you? Do you have good looking partner? Are you getting more likes and followers on social media? Are you making a lot of money? Do you have a nice car, and a big house? Do all these things make a man a complete, fulfilled person? If so, why do so many successful people commit suicides? Why are so many celebrities addicted to drugs and alcohol? What good is the society’s approval if you are drowning and dying inside?
The Eastern philosophy is the complete opposite. Your joy, your happiness, does not come from others, it comes from you. The joy lies within yourself. The others do not matter. A husband or a wife or a relationship will not give you permanent happiness. Materials mean nothing. In the east, the greatest people are people who threw away all the materials, men who threw away their kingdoms, who walked away from their families and friends, and sought enlightenment. Sometimes they had to kill their own brothers for righteousness. Sometimes, they renounced everything and meditated for decades. They are the ones who are worshipped as Gods, in India.
In Rani Ki Vav temple, the difference between humans and Gods are clearly established. The humans are shown obsessed with another human or obsessed with themselves. But the Gods, look at how they are shown. They always look straight, neither obsessed with others or with themselves. They are not distracted by these petty things, and are shown in an eternal state of peace.
Yet, those Gods were once mere humans, who had their temptations. So, this ancient temple of Rani Ki Vav, shows you a path, a spiritual path, to transform yourself into a Divine being. You too, can become a God, and you can be joyful and enlightened for ever. If you visit this temple, you will find the secret key to unlock your spirituality, and turn your dark, selfish desires into positive, selfless energy.
In the west, this process of transformation, was identified by Sigmund Freud who is the father of psychoanalysis. He called it ‘Sublimation’. To put it concisely, all the extraordinary positive achievements of people, were once strange, negative, desires. The classic example was the case of Johann Friedrich Dieffenbach, who, as a young boy, would silently approach sleeping street dogs, and cut their tails off. While this gave him a cruel, twisted pleasure, his family and neighbors were shocked at his brutal and inhuman desires. However, when he grew up, he turned into an extraordinary surgeon who unselfishly saved the lives of thousands of humans. He was able to transform his cruel pleasure of cutting innocent animals into the noble act of surgery. While Sigmund Freud claimed that we have to live with our dark desires and just manage it with sublimation, Indian philosophy takes it to another level.
This process of sublimation, the process of converting your base, selfish desires into positive energy was already mentioned in ancient Indian texts as Kundalini. According to these texts, Kundalini is a latent energy found in every body, in the form of a twisted snake. If Kundalini is awakened properly, it can permanently eliminate your base desires, and you can become joyful and self-sufficient forever.
This is why Indians have traditionally worshipped Gods who were once humans, and even today, the popular culture of Gurus is prevalent in India. This idea of becoming a God by using thoughts, emotions and meditation was formalized into a religion called theosophy around 1875. According to its followers, the key to become God, is held by every human, and the key lies within himself. All he has to do is to search within himself, find the key to unlock himself from the jail of thought, and he would live in eternal freedom and glory.
And in Rani Ki Vav, the hidden carvings portray that specific key to unlock yourself. Look how he is holding a key in one hand, while pointing the other hand to God. Nobody has observed these secret details until now. If you observe these men carefully, you will find out how to sublimate your base desires, their hands and eyes reveal their dark desires and their spiritual awakening. These carvings show a step-by-step procedure for sublimating your negative energy into a positive vibration, to transform yourself from a human to a divine being. I am not going to explain this in detail, why some men are holding some objects, why some men are pointing both hands up, why some have their eyes closed, and why some are open. But if you visit this temple of Rani Ki Vav, and observe these carvings carefully, you will find the key to unlock your true potential.
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