Sallekhana – Secret ‘Enlightenment’ Caves found in Ancient Tirumalai Temple?

Hey guys, today I am going to show this ancient site called Tirumalai, there are several structures on top of the hill and we also have some structures at the bottom, let us look at the bottom structures first. There are several temples which look like Hindu temples, but they belong to the religion of Jainism.
This whole place is beaming with energy, it has more than 30 small chambers and caverns. Let us go into this doorway and see what’s inside. As we can see these doorways are remarkably small, it is not easy to enter through them. But what’s inside is just fantastic, there are carvings of several Jain Gods. These are at least 1000 years old. This type of carving is called Bas-relief where they leave the background, the rock face, as it is, and just carve 2 dimensional figures which seem to come out of the rock surface. Jains were the masters of carving Bas-relief. This is a female goddess standing under a tree. But the tree looks totally exotic, what kind of tree is this? And What are these rectangular slots doing here? I have already explained this in another Jain site called Kalugumalai which also has fascinating carvings. Ok, let us go to some of the sacred chambers used by Jain Monks, we are going to see some very strange things inside. Brick walls are constructed alongside natural caverns.
The chambers in almost all Jain temples are very small. These chambers were used for several reasons. One of the purposes is this: The monks needed to meditate in order to attain to achieve eternal bliss. Jain monks would perform long meditation known as Samayika and would be completely conscious of the present time, thereby eliminating the existence of the past and the future. These chambers were used for practicing this type of concentration, this form of meditation is considered a stepping stone to achieve enlightenment.
But there are even darker chambers. These chambers are very different. Inside, we don’t find statues of Gods, but rather a seat or a chair and some simple stone beds. How was it used? Some locals claim it was used for Sallekhana. What is Sallekhana? In jainism, some monks fasted to death, by slowly reducing the intake of foods and liquids. They would slowly become thin and eventually die a voluntary death. Even though some people have criticized this as ritualistic suicide, Jains maintain that this is a means of destroying rebirth and Karma. Now, you may think these are all practices which existed in the distant past, but no, Sallekhana is a practice still followed today. It is estimated that 240 Jains die of Sallekhana every year, even in our times. Today, even talking about suicide or death is considered taboo, but all ancient Indian religions maintain that every person had a right to voluntarily choose death. And this was a chamber where Sallekhana was practiced by Jains, they would predominantly stay in this chamber and slowly starve to death. Ok, now let us take a look at the ceiling. The ceilings are painted with natural vegetable colors, they have some really fascinating paintings here. However, certain paintings have been intentionally destroyed by the British, I have explained this in my previous video about Vimana technology.
I have always wondered why the darkest chambers always have the best paintings. Through the silky spider web, we can see this protrusion on the wall. It was used to fit a door. Imagine putting a solid door on this already dark chamber. It would become pitch black. Stucco structures are quite fascinating. There are Paintings which show monks. The flowerlike patterns on the ceilings are quite amazing. Imagine how bright it must have been when it had been freshly painted. Here we can see banana flowers, sometimes called banana blossoms.
One strange this is that the ceiling is less than 5 feet tall. I am unable to stand upright. Why was the ceiling designed so low? What is the secret behind this? This is a natural overhanging rock. You think it is an artificial ceiling because it is completely covered with paintings. But only the walls are made of bricks and mortar, the ceiling is a natural one. This is much more evident when you look at it from the outside. The cavern becomes shorter and shorter in height making it impossible to go any further. However, there may be more paintings in other areas.
In one of the walls, there is a fascinating painting which shows a monk sitting in the center surrounded by a variety of people and even animals are sitting around him. This is called Samavasarana a divine preaching hall of enlightened Jain monks. These are Jain nuns known as Aryikas. Here are the family women. Now, look how even their jewels are shown with the smallest details. They are painted white, indicating pearls and diamonds. We can even see different skin tones of monks, Black, White and brown people were all here. Remember, today less than 1% of Indians are jains, but once upon a time, it was a flourishing religion and it brought foreigners from various countries to learn about meditation and enlightenment.
Now, let us go down and look at what is at the ground level. We have several small chambers which house various Jain Gods. In my channel I have shown you thousands of Indian Gods and Goddesses, but you have probably never seen this one. This is the fabulous Goddess called Jwalamalini, also known as Jwalamukhi. She sits on a buffalo or a bull with 8 arms.
I have already shown you the temple’s main chamber in my last video, so I am going to skip that. Looking around, you see something strange: Why is the archeological department fencing these rocks? Because they have priceless ancient inscriptions. There are lots of rocks in this hill which are covered with writings about what happened here a thousand years ago. There is so much history here and it is said that inscriptions about ancient technology are found on top of the hill. So, let us go to the top of the hill and see what is up there. There are more than a 100 steps, and it is a steep climb. Once you are at the top, the very first structure, is this brick structure with metal doors.
But if you look Inside, there is a giant carving of a figure carved on the rock face of a hill. Who is he? His name is Neminatha, a very popular god. This is huge, about 52 feet tall, and is standing completely unclad on a lotus shaped pedestal. This is the largest ancient statue of Neminatha in the world. But this is not the top of the hill, this is situated halfway in the middle. Jains usually have something interesting on the very top of the hill. It is very typical of Jain sites to carve footprints of Gods at the very top. As you can see, this is exactly what we find at the hill top. There is not one pair of footprint, but several pairs of footprints carved on rocks. The entire hill needs to be explored, as the monks would have made carvings and inscriptions on many rocks. What made the monks turn an entire hill into a sacred site? Does this site have some kind of mysterious energy? This entire territory followed Jainism once upon a time. How did such a place lose its importance? Why did this whole area, once flourishing with Jainism, completely forget about such an amazing religion?

Praveen Mohan


Chakra Vimana – Ancient blueprint of UFO found in India?

Hey guys, today I am exploring a hill called Tirumalai, and this is a very ancient site, the structures you are seeing are about a thousand years old. I will cover these temples in a different video, but the real reason why I am here is because I got an email about a strange diagram which exists in one of these caves. The builders have constructed brick structures around natural caves, this is why we see a combination of natural and artificial structures here. Why are the ceilings so low? because these are natural overhanging rocks and these chambers were used as a secret location for gatherings and events.

And here you can see the strange diagram, the blueprint that I wanted to see. Let’s be honest, your immediate impression is that it resembles a technical diagram. Why do you feel this way? Because in ancient art, you would expect human or divine figures, flowers or cute designs, but it does not have any of them. If you look at it from different angles, it is clear that it is not a 2 dimensional structure. It must be a 3 dimensional structure, the diagram in fact shows the top view of an advanced machine. Look at this figure, this a 4 blade rotor or a fan, this is exactly how a rotor would look from the top. There is not one, but four of them positioned in the same line. And look, they are all connected using the same cable line, this is incredible.

But what is more interesting, is the name of this drawing itself: Locals call it Chakra Vimana, which literally means a flying saucer. The word Chakra means a rotating wheel and the word Vimana means a flying machine. Is this the top view of an actual UFO, a flying saucer? Look carefully, there are small circles in the middle, and there are wires which appear to connect them on all four sides, but they do  not touch the circle, the wires are merely placed close to the circles.  Such details on this diagram cannot be explained by anything else, this is definitely a sophisticated machine we are looking at. See how there are arcs, placed in certain points, today we call them crescent magnets and use them in various motors.  Look at the color coding, just like a modern technical drawing, the inner circle is blue, the middle circle is black, and the outer circle has bands of brown and black. Upon careful observation, we can see that colors used in all the details have been done following strict rules. Is it possible that this diagram shows the blueprint of a UFO? Is it why this is called Chakra Vimana?

To understand this, we need to look at the history of this ancient site. There are several temples in this hill, but surprisingly, they do not belong to Hinduism, they belong a religion known as Jainism. Jainism is one of the oldest religions of India and contains many secrets about Vimanas, or flying machines. Let us go into the main chamber of this temple to understand more about this. The central figure here is called Mahavira, he looks eerily peaceful, he is one of the most important Gods in Jainism. But his origin is shrouded in mystery. According to ancient texts, he emerged from a spacecraft called Puspa-Uttara. In fact, every statue you see here came out of Vimanas, according to ancient Jain texts. They are collectively known as Vimana Vasins, meaning they are dwellers of Vimana. These deities have some distinct features, some are shown with wings to indicate flight and some are shown with reptilian features, the hood of snakes. Their purpose was to serve and protect the great God Mahavira. Is it possible that the diagram that is drawn here is a blue print of an ancient Vimana used by these deities? How else can we explain this drawing?

But there is another clue why this entire site may contain advanced scientific information. If we examine these chambers and caverns, we can see that many of the paintings and drawings have been deliberately erased. The paintings on the top of overhanging rocks have been intentionally destroyed. Locals claim that this deliberate act of vandalism was done in 1939, by British soldiers due to racism. However, there is a different reason why the British defaced many of the drawings and paintings. In 1939, Hitler sent a team to India to learn about ancient technology, specifically about Vimanas. The British learnt about this, and tried to erase evidences of these technical drawings to make sure this kind of information did not fall into German hands.

It is said that the Germans documented many drawings and carvings from other Jain temples, specifically the temple of Ranakpur. The most important piece of information is on the ceiling. This carving we see is almost identical to the Large Hadron Collider, a particle accelerator in Geneva. The Large Hadron Collider is the largest machine in the world, and lies in a tunnel 17 miles in circumference, more than 500 feet beneath the ground. How is it possible that a similar blueprint was carved centuries ago, in the ancient temple of Ranakpur?

Remember, I showed you another ancient carving in Sri Lanka, which also shows a circular diagram with many technical features. This one is known as an ancient Stargate, which can take us through space travel. One thing is clear, as we explore more and more ancient sites, we find things which we are not able to understand. Were ancient builders capable of advanced technology? Did they use or witness Vimanas?

Let us go back to the ancient site of Tirumalai, why were these drawings made in these chambers used exclusively by Jain monks? It is said that this entire hill has many secret caves and underground chambers, which have not been explored. Here we can see an underground area right beneath the hill. This is not natural – if we look inside, we can see that the other side is very smooth, it has been clearly worked on, for some unknown purpose. Where does it go? Does it end abruptly or does it take us to a location where we can find more blueprints which can help us rebuild Vimanas?

Everything we see in this ancient site, the Chakra Vimana, the Gods who emerged from flying machines, and the stories about German officials trying to access these drawings – all point to one thing: Ancient Jains were somehow connected to space travel and sophisticated technology. Were Ancient Indians primitive people or were they capable of creating advanced machines like Vimanas and Particle Accelerators? How else can we explain such a complex drawing?

Praveen Mohan

Trinity – Time – Temple. Mystical Monolith of Mahendravadi !

Hey guys, today we are going to see a giant rock called Mahendravadi. This is a very interesting rock, you know, from the distance you are going to think this is just a giant rock, but there is something very special about this. The Mahendravadi rock has many secrets buried inside, there are many mystical and spiritual things about this.

this is just a formless blob which looks like a giant ball of cheese or butter but you might realize that you are looking at it from a different angle but when you actually turn around and see what is on the other side of the rock, its really amazing. you realize that someone has converted this rock into an amazing temple or may be it is even a workplace.

And this was done 1300 years ago. Archeologists confirm that this was created at least around 630 A.D. Now, when you really look at this, your life goals might change. When I really looked at this, my life goal became Step1: find a big boulder in the middle of nowhere Step 2: Convert it into a home and Step3: Go to the post office and get an address. It is that crazy, you won’t see anything like this anywhere except India.

The beauty of this, is that this is just made of one rock which means nothing was added to it. We know there are giant monolithic temples like the Kailasa Temple, I have already shown you another one called the Vettuvan Kovil in South India, but this is a free standing rock. So you can see, there is something very special about this temple. It has 3 entrances – you may think, well, it has 3 entrances, but a lot of ancient structures have the same thing, they all have 3 entrances. You can see this in egyptian pyramids. You can see this in Mayan Pyramids. A lot of pramids are Hindu structures – have 3 entrances. And this is perhaps the very first one in India which has 3 entrances. Of course, the real beauty of this, is even though we have 3 entrances, there is only one place you can go into. And you can see there, this is just solid rock. And on the other side, again it is solid rock. Why did they give us 3 arches in the beginning and in the end, there is only one chamber you can walk into. There is something symbolic about this.

this rock is about 30 feet long, and about 30 feet tall. And I have measured the doorways. The left and the right are a little bit smaller, and the one in the middle is a little bit bigger. It is at least half a foot bigger. Why? this is what we see in all ancient structures, the entrance in the middle will always be bigger than the entrances on the sides.

And of course, why the number 3? And this is a very interesting concept because in Christianity, there is a concept of Trinity: Father, Son, Holy Ghost. In Hinduism there is a concept called Trimurtis, there are 3 Gods. In Hinduism God means G = Generator or Brahma who is the Creator, Operator or Vishnu who is the maintenance guy and Destroyer or Shiva, who destroyes everything. This is what God means in Hinduism.

So, why 3 entrances? Why do we have these 3 arches? Well, this arch represents the past, this arch represents whats happening right now, the present. And of course, this arch represents the future. This is why we have these 3 doorways, these 3 entrances. Each one represents a point in time. And of course, your mind would be full of Past and future, but there is really only one entrance. And that is the present, that is whats happening right now. You only have control over whats happening right now, this is why there is nothing in the past, there is nothing in the future and you can only access the present. So what was the purpose of this temple? Now, what priests and other Shamans would do in ancient times, is they would bring a person in grief, a person in depression or a person who is sick, The shamans or priests would not tell them anything, but they would simply observe which doorway they are using. if the person is using the arch at the left, which is the past, the shamans would understand that the patient is dwelling in the past. Eveything in the past is affecting him. And if that person is using this arch for example, the future door, they would realize that this person is terrified or anxious about the futrue. This is what is causing his problems. Now, this was the purpose of this temple.

human beings do something very strange, they are capable of creating things. Which is what creates time. For example, what we are really looking at, is looking at the past. We are looking at what happened about 1300 years ago. So we are basically looking at the past. And we may also be looking at the future. I mean this could be your future self, watching everything through memories. Animals don’t do that, animals don’t create something and go back and visit it.

But because we have this sense of time, we create a lot of problems with it. We are fearful and anxious about the past, and we worry about the future, instead of living our life in the present. Now, there is someting much more fascinating about these 3 arches. if we look at the painting called the Last Supper done by Leonardo Davinci, I mean this is one of the most talked about paintings in the world. But there is something strange that most people don’t talk about. There are 3 doorways behind jesus. If you really think about this, the 3 doorways represent the past, the present and the future. This is why, Jesus, who is an enlightened man, is really sitting in the present . And he is trying to get the 12 apostles to really join him, in the present. And you can see, there is a distinct division between the 12 apostles. You can see that nobody is even coming close to him. There are 6 apostles who live in the past and there are 6 apostles who live in the future. But jesus is the only enlightened being who lives in the present.

And again, you may think the 3 doorways are a coincidence. No! it is not. Leonardo Davinci was very well equipped with sacred numbers. He used the fibonacci series, he was using the concept of numbers in all his paintings. There are not only 3 doorways behind Jesus, but there are also 3 doorways to his left, there are 3 doorways to his right. And you can see..that he even used multiples of three on top. You can see a panel which has 6 rows and 6 columns. So, Leonardo Da Vinci was basically trying to tell us something: Was it the concept of time, that he was trying to tell us?

And you can see there is something strange about this statue. The statue looks almost brand new, well you see the difference because it is brand new, it does belong in this temple. Local villagers put this because it has been empty.And this is why some experts are questioning: Why did they build such an extraordinary structure and leave the main chamber empty? Well, of course they would leave it empty. Because that is what we have in the present. In Present, if you really think about it, what is right now, is complete emptiness. There is really nothing to go for, or nothing to think about. And that’s why the present, which is the only chamber you have full access to, was left empty in ancient times.

Praveen Mohan


The Key to Ancient Astrology Map discovered in Indian Temple?

Hey guys, today I am going to show you something special, some special carvings on the ceilings of Ancient Indian temples. This is the Panchavarnaswamy temple which has several carvings related to Time Travel. As you can see it is very dark and it is very hard to see what is really there on top, but I did zoom in with a different camera and took pictures. Once I looked at the pictures, I was surprised to see these motifs carved on them. What is this weird creature which looks like a twisted shark with protruding teeth? Is this some kind of a prehistoric animal? Who is this guy holding a pot? If we look carefully at the entire picture, we can see the 12 signs of the zodiac, just like what we use in today’s astrology.

Going in a circle, we can see Aries or Ram, Taurus the Bull, Gemini or the twins, Cancer or Crab, Leo the lion and Virgo the virgin. Remember in India, a different type of astrology is used called the Vedic Astrology, it is somewhat similar to Western Astrology but there are some big differences between the two. The rest of the zodiac signs are the Libra or scales, Scorpio or Scorpion, Sagittarius, the archer who has half the body of an animal, Capricorn or Sea Goat, in India the Capricorn is called Makara which is a feathered crocodile like sea creature. The last ones are the Aquarius the water bearer and the Pisces or Fish.

Now, why does this temple have these 12 signs carved on the ceiling? Remember, many ancient temples have these strange carvings in inaccessible locations. For example, you won’t be able to see these carvings with your naked eye. So, why carve them at all, especially at this height and where there is no light?

This temple is at least 2000 years old, but let us go to a temple called Gangai Konda Cholapuram, which is about a thousand years old. Again, inside the temple, as you can see, this is a very dark area, and nobody really observes these carvings on the ceiling, but again, we have the 12 signs of the zodiac. Why would anybody make these carvings and also deliberately make sure that nobody can see them? Unless you are like me walking into the darkest areas with a flashlight, you are not going to see them.

Is it possible to really understand why these were carved? To decode this secret, we need to go to a temple called Kalugasalamoorthy temple. This is a 1300 year old temple and in the ceiling of this temple, you are going to see something that will blow your mind. This is the map, this is the key that explains everything about astrology and even ancient astronomy. Look at the complexity of this, what kind of patterns are these? are you able to make any sense of this? This can cause information overload, so focus on this particular square, here you can see the 12 signs of the zodiac. You can see all the signs like Sagittarius with bow and arrow, Scorpio and scales or Libra. When I showed this to mainstream archeologists and historians, they agree that yes, this particular square in the entire panel shows the signs of the zodiac, but they think that everything else is just a bunch of random carvings, I mean you see animals, you see these circles, and in the center, there are also a variety of symbols which make no sense. They make no sense to experts, because today’s experts don’t know much about Vedic Astrology. These 9 symbols in the center denote the 9 factors or Navagraha in Vedic astrology, sometimes mistranslated as 9 planets, these are 9 factors which are said to affect us. These 9 symbols have the Sun in the center, the moon, and planets Mercury, Venus, Mars, Jupiter, Saturn and the ascending and descending nodes of Moon’s orbit known as Rahu and Kethu. You can compare them side by side with the ancient symbols, these symbols are only rarely used today even by Indian astrologers.

Ok, so I have shown you these 9 symbols and you have seen the 12 signs of the zodiac, but the rest of the numerous carvings around them, these dozens of random animals in this square are just for filling up the empty space, just for decoration or artistic purposes. This is how mainstream archeologists will talk about this, but that’s not true. Remember, nothing is random in Ancient Indian temples. Yes there are dozens of different animals, but if you count, there are exactly 28 squares. Look carefully, each animal is a little bit different from the other, each animal represents one of the 28 Lunar Mansions, also known as Nakshatras in Indian astrology. A lot of Indians think there are 27 Nakshatras, but they don’t know there is a 28th one, a hidden lunar mansion called Abhijit. People whose astrology has this lunar mansion will have a very abnormal life, they would have deep interest in occult science, spirituality and meditation. The Abhijit is shown here specifically with a big difference, this is the only square which does not show an animal. This is literally, the odd man who does not fit in with the rest of the lunar mansions, in English we call this as Vega, the brightest star in the constellation of Lyra.

The outermost square consists of 36 small squares, inside each square is a circular or cymatic pattern. Each pattern represents something called a Drekkana or Dreshkaan, in English these are known as decans, each decan represents 10 degrees of the entire 360 degrees of the Zodiac circle. Now, remember the entire map you see should have all been circular, this is the basis of astrology. Astrologers use squares for convenience, but we know in reality, this entire panel should have been a large circle. So the entire system is based on splitting this 360 degree circle progressively from smaller divisions to larger divisions. From the center, if I start making exactly 45 degree angles, between any two angles I would have a symbol from the Navagraha. Now, if I make 30 degree angles, I would get one sign of the zodiac between any 2 angles. I have intentionally not explained this particular square which has a ton of interesting information, but I challenge you to find out what it is, and do leave a comment about what this square really means. If I make 18 degree angles, I would get one of these patterns between any 2 lines. If I use about 12.85 degrees, I would get one lunar mansion or Nakshatra. And finally, if I make 10 degree angles from the center, I would get a decan between any two 2 lines. So, now mainstream archeologists and historians can really explain to us how primitive ancient builders were, after looking at this.

And there is something much more extraordinary about this, it is as though the ancient builders had psychic powers or abilities of Time Travel. They knew someone in the future would come here and split this panel into various degree angles and try to decode them. Why do I say this? Because look at these really small circles, what are they? Ancient builders carved them in these specific spots for us to make these angular divisions, I did not measure 30 degree angles to see the signs of the zodiac, I just jointed these circular marks on this particular square. I joined these circular marks on the largest square, and I automatically got the decans between each 10 degree angle.
But what is the reason for carving these symbols of stars and different planets on the ceilings of ancient temples? Today, the ceilings of new Hindu temples no longer have this feature, but ancient Indian temples were built for a completely different reason, they were built to spread knowledge. But, even in ancient temples, why did they not carve these constellations on pillars or walls? Why only in dark areas and Why only on ceilings which are unreachable and completely inaccessible? Were these carvings specifically designed as a key to unlock the mystery of the stars and planets?

When I talk about unlocking the secret, it sounds like some fancy theory, but I literally mean that. Did you notice this strange protrusion in the very center? Yes, this is in fact a door knob, which will open this stone door. And you may think, well, it may not really be a door, but if you look carefully, you can even see the gap between the door and the doorway and you can even see other protrusions which indicate there may be a complex mechanism to open this ancient door. Is it possible that what lies on the other side of this door, may finally reveal the real secret of the stars?

Praveen Mohan

Secret of AUM found in Ancient Indian Temple? Musical Steps of Darasuram

Hey guys, today we are going to look at a very strange ancient structure built at least 800 years ago. This is the famous Shiva temple in Darasuram, and at the entrance we can see something beyond our understanding. Why is there a metal fence around this structure? What is inside this? If you peep through the holes in the mesh, we see stairs, a set of steps made of stone. Why do these stone steps need to be locked?

It is locked because these are not regular stones, these are musical steps. If you walk on them, these steps will create seven notes of the musical scale in Indian classical music. In the last few years, countries like Chile and Belgium have created stairs which produce musical notes when people walk on them. To us, this seems like the height of modern technology, however we already have such a musical stair created at least 800 years ago. But people here do not respect such a priceless structure, they throw stones on them to see how it sounds, and some have even tried to destroy them. You can see so many stones on these stairs and you can also see it has undergone some serious damage. Remember, I have already shown you the musical pillars of Hampi in another video, so what is so special about this structure and how is it different from Hampi? If you observed these steps carefully, a question should have already popped into your head.

Remember I said, if you walk on them, you will hear 7 different notes. But there is a total of 10 steps. What do these 3 extra steps do? This is the specialty of this temple – the three extra steps produce the sound AUM. If you roll a pebble on the stairs, the sounds Aah.. Ooh and MM will be produced from the extra 3 steps. So, when you hear the sound together, it will sound like AUM. Why this sound AUM? Why do Hindus believe that AUM is a very sacred sound? Why do they keep chanting AUM while meditating?

Because these 3 sounds are the most basic sounds, and these sounds are the ones you can create without using your tongue, and you can create the rest of all other sounds using a combination of these 3 sounds. This may be hard to visualize, so think of how we use 3 colors known as RGB or Red, Green and Blue to create any color we want. This is why these 3 colors are called Primary colors and you can create millions of different color shades by mixing them in various combinations. Similarly the 3 sounds Aah..Ooh and MM are considered the primary sounds which can be mixed up to create any sound we want. It is even said that AUM is the sound of the Universe itself, and recordings in deep space reveal sounds very similar to AUM. Here is a recording of the Solar AUM noise of the sun. We could talk about how each of the 3 major Gods of Hinduism represent one primary sound and also one primary color, but we are not going to.

Because we have something much more exciting, much more fascinating evidence of sound technology in the same temple. This temple has thousands of carvings, and nobody has analyzed this carving until now, but what we have here is the visual representation of the sound AUM. Look at this, these are sound bursts representing AUM. And this is the oldest carving in the world which visually shows sound, today you may see visuals of sound on your computer, but this was created at least 800 years ago. Is this just a theory, am I making this story up? No! According to ancient Tamil texts, Lord Shiva learns the secret of AUM from his son Murugan. And in the same carving, we can see Shiva in a respectful posture, learning the sound AUM from his son who is shown here as a little boy. As the boy chants AUM, you can see how all beings start coming alive, as the cosmic sound vibrates around them.

And this carving proves something very important: Ancient builders were capable of some kind of advanced sound technology, which we do not understand. They were capable of visualizing sound, and all these circular patterns in Hindu temples, are visual representations of various sounds. Even today, we cannot create such musical steps from stones. But ancient builders have created so many strange stone artifacts which create various types of sounds. What kind of technology was used in ancient times?

Praveen Mohan

Secret Sound Technology Found in India? Proof of Advanced Ancient Civilization?

Hey guys, today we are going to find something truly spectacular. We are going to find the musical instrument used by Lord Shiva. And this is supposed to be 10,000 years old. And this is going to be one of a kind. And you can see we are in the middle of nowhere but we are going to find this instrument today. This place is called Kanchanagiri in south India and this is the place where Lord Shiva has his musical instrument. It is somewhere over here and it is my job to find it.

So this is the musical instrument of Shiva and it is 10,000 years old. And you may say, well we did not have metals 10,000 years ago. I mean human beings did not use metals 10,000 years ago. Well, they did not use metals to create this instrument. We don’t know how this was created or if it is a natural formation. You don’t need a metal to strike this. I can simply use another stone…. see the reverberation. And for example, if you don’t touch this can still hear it .. like a tuning fork. let me try this.. you see there is no sound coming from this..right? there is no sound… But if I put this on top of can see how it is basically taking the musical property of this on to this. This is a very strange phenomenon.

So I got the hammer when I heard about this Shiva’s musical instrument… I got a few drumsticks you know.. to play it as a drum.
Ok you may wonder why I am really standing in this awkward position..out of breath. Because it is just impossible to access it. You cannot take your vehicle whether it is a car or motorcycle. You cannot even walk, you basically have to do rock climbing… to get up and see.. this Shiva’s instrument…and of course it is totally worth it if you get up here.. but it is not for the physically weak.

And locals say something very important. On top of this rock, you cannot see a plant.. you cannot see an ant crawling.. you cannot see insects.. at night times, no animal will walk on this.. because this rock supposedly emits a strange energy. And we are going to find out if there is a strange energy coming out of this rock. We have something called a ghost meter. We will use that gadget to see if this emits some kind of energy.

And there is something else that is really strange about this.. they say that if you keep tapping this rock for a certain amount of time, with the exact number of people, the rest of the rocks around this rock, will become soft as clay. And this is the procedure that ancient builders used..they basically used the sound of these rocks to create very soft material from rock and this is why these amazing megalithic structures were built. And once we stop tapping on this rock, now whatever was as soft as clay, will slowly harden and become a regular rock. Is it possible that such a technology exists? I mean look at our civilization, we have these amazing buildings.. you know these enormous structures. Why did we get this advanced? Because we are capable of using electrical energy. At some point in time, we started to harness electric energy. But how did these amazing megalithic structures get built in ancient times? Did ancient people harness sound energy?

The name of this rock as you can see here.. there is this..faint blue paint over there. It says ‘Mani Paarai’ in Tamil which basically means a Bell Rock or a Rock Bell – that’s what it means. Of course it is obvious why this is the bell rock because it basically creates a ringing sound that’s audible to a very long distance, at least a kilometer I would say.
is this the only rock in the world which rings like a bell? That’s not true. There are several ringing rocks around the world – there is one in Pennsylvania I have visited.. and it has a lot of rocks. And all of them are ringing rocks. These are technically called sonorous rocks in geology.

A king who lived nearby wanted this rock in his palace. So he basically ordered his people to bring the rock over there.. which they did. So this rock was transported to his palace. And to his surprise, when they struck this rock in his palace it did not give a ringing tone. And of course, the king was really confused that it did not make that ringing noise in his palace. But when they really transported this rock back and put it here, it started to ring again, like a bell. Now, this is why people think this is a very mysterious rock. . you know because it was given to us by the Gods. Of course, it sounds like a superstitious fairy tale, but in Pennsylvania, in the Ringing Rock Park, you know people try to pocket these small rocks which are ringing, go to their house and they try to use it and try to reproduce the ringing sound. It does not work! There is something very weird about these specific rocks, you know? It appears as though the rocks need to be in their own place to make this ringing sound.

So, the question is .. why did the king ask his people to bring this gigantic rock to his palace? Just so he could hear the ringing sound? No! Ancient Indians used these sonorous rocks for a specific reason. They would basically lie down on it, and somebody would tap on the edges.. and this procedure would continue for hours. They believed that this would heal their body and their consciousness. Now, today.. in modern technology.. we also have something called sound therapy which is exactly the same. Now, Is it possible that ancient people were technologically much more advanced – they were creating a healing bed to help people who are sick?

Now, of course the most important question is that .. is this a natural formation? Or was it created by artificial means? If it is a natural formation, you would expect that all these rocks would make a similar .. or at least a feeble ringing sound. but that doesn’t happen. This is the only rock which has this ringing tone. And the rest of the rocks don’t. And there is also some other difference. Now, if you look at this rock face, you can see a lot of differences here. You know, it is not flat… but if you look at this plane, it looks as though somebody has worked on this rock.. you know making it flat. We don’t know if some kind of a process that went into this.. to make this into a ringing rock. And this why people call it Shiva’s musical instrument. Now, what do locals think about this? Do they believe that this is a natural formation or they think it was made by artificial means? Locals believe that this is a result of a volcanic eruption. And there is a temple nearby which has a lot of lingams which are supposedly made out of volcanic lava. And they believe that this was made .. this was cast using that volcanic lava .. which is essentially molten form of rock. Now, this might be a twisted version of saying .. we are basically melting this rock and adding certain elements and making this into a ringing rock.

Now, today is it possible to make something like this? Yes, today we have furnaces and .. we have equipment that can really melt rock … and I can basically pour molten iron or copper and then mix it up to make it into a ringing rock. We don’t know if that was the case here. In 1965, in Pennsylvania, a group of scientists went into this Ringing Rock State Park and they tried to find out why these rocks are capable of making this sound. now, of course, they crushed the rocks, they sliced them, they tried to understand the chemical properties of them, but they could not just find out why some rocks are capable of giving out this ringing tone. Of course, we definitely have to talk about extraterrestrials. Did extraterrestrials play a part in creating these type of rocks?
Do these rocks emit some kind of strange energy and this is exactly what we are going to find. We have something called a ghost meter and is capable of detecting this type of energy. So we are going to test it here.

So this is the EMF meter, mostly called the ghost meter, because it is capable of detecting even very small milligauss. The scale is essentially from 0 to 5 milligauss. So it can even detect very small amount of EMF and we wanna find out if this rock is emitting some kind of EMF. Let’s see. I don’t see anything .. to be honest with you.. I don’t see any changes at all. There doesn’t seem to be any kind of EMF that is coming out of this rock. Let me try again.. No.. No.. And I do firmly believe that even though there is no EMF on this equipment I see, there would be some other kind of energy that I am not able to detect with this gadget.

Praveen Mohan

Ancient Temple of Time Travel Found in India?

Hey guys, today we are going to look at this temple called Panchavarnaswamy temple and from the outside it looks just like an ordinary temple built in the last century, but it is actually at least 2000 years old. What is really fascinating to me is the design of this temple. It is designed in a way that normal visitors see normal carvings and if you are a serious researcher, there are carvings which are baffling, and they are all carved in the dark corners of the temple. Today, even though the temple has electric lights, the strangest carvings still lurk in deep, dark areas and these carvings have no explanation until now.

Let us take a look at this carving. It has a figure which has the head of an elephant standing upright. You may think this is the popular Hindu God Ganesha but it is not, because this is a female figure and Ganesha is a male god. And what is even more interesting is that it has wings like an eagle, you can even see the feathers. Now, look at the legs, these are long, slender cylindrical feet which defy any explanation. What could this possibly be? Even Today, scientists have not been able to create such a species through genetic engineering, we do not have enough technology to do this as of today. But 100 years from now, we could easily create a species like an elephant with wings. Believe it or not, scientists are said to be secretly working even to create human beings with wings. It is estimated that this will be achieved in less than 200 years from now. And this is exactly what we see here in this carving. At first look I thought it was just a regular mother playing with a baby, but upon looking carefully. I realized that she has wings, ready to fly.

While these carvings seem to show developments in the future, here is a carving which shows something from a distant past.  This animal you see here is a type of Saber-toothed Cat, sometimes even known as Saber toothed Tiger. This particular species is called Thylacosmilus. The Thylacosmilus looks like a modern day lion or tiger, but the main difference is its exceptionally long upper canine teeth. This carving undoubtedly shows this particular species with protruding fang like teeth and a long  tail. If you compare this carving with the modern day recreation of this animal using fossil evidence, we can see that they are almost identical. However, here is the problem: all experts agree that this species become extinct 2.5 million years ago. And historians and archeologists tell us that his temple was built about 2000 years ago. In order for sculptors to carve such an animal, they must have seen the Thylacosmilus. So how did sculptors accurately carve this animal 2000 years ago, even though the species became extinct 2.5 million years ago?

Think about this: How can a temple contain both futuristic carvings and carvings from a distant past? The only way someone could record something from both future and past accurately, is by doing time travel. Were ancient builders in India capable of Time Travel? Is there more evidence of Time Travel in Hinduism?

What is remarkable is that the ancient text called Bhagavata Purana not only describes Time Travel, but also the concept of Time Dilation accurately, even though we think that Albert Einstein was the first person to clearly understand this. According to the text, a king and his daughter make an interstellar journey to see Lord Brahma who lives in a different planet. They had to wait for a short while before meeting Lord Brahma, and when the King talks about the issues he is currently facing on earth, Lord Brahma begins to laugh loudly and explains that that time runs differently on different planes of existence. Lord Brahma explained that during the seemingly short time the King and his daughter experienced through the interstellar visit, more than one hundred and sixteen million years had passed on earth. So, he tells them when you go back, all your friends on earth, enemies and their sons and all their descendants would have died long time ago, no one even knows about their names anymore.  Of course, until 1900s people regarded this story as a baseless fantasy with no logic and then Einstein comes along and explains Time Travel and Time Dilation and now even scientists agree that yes, this is a pretty accurate description of Time Travel and Dilation.

But what really amazes me is that this temple even has a carving of Brahma in his planet. And it looks completely exotic, it doesn’t resemble the earth. Brahma looks humanoid but he has this strange, long beard and his dreadlock like hairdo is coming down to his waist. The Tree shown in this planet does n’t look like a regular tree, this actually looks more like a brain, and the trunk resembles the brain stem – this somehow seems to signify the consciousness or spirituality and what is this tree connected to? A mysterious lingam, often explained as a source of unlimited power.  Perhaps Brahma is tapping into this bigger power source and taking some power in his own portable device. He holds a mysterious hand bag and note that this ancient hand bag does not touch the ground. We see this depiction again and again not only in ancient Indian temples, but in civilizations around the world. The Gods and saints of all ancient civilizations carry a mysterious bag which never touches the ground – a standard procedure we use for all batteries today. Was this bag some kind of a power source?

Now, why did ancient builders design this temple in such a way that all these strange carvings are located in dark areas where normal visitors do not see them? The more I look, the stranger the carvings get. Remember I showed you the carving of a bicycle? This carving is also from the same temple. To normal visitors, these carvings are not visible at all, but were they left as clues to be seen by researchers like me? Were ancient builders capable of time travel, is this why we see carvings of the distant past and future? How else could they carve genetically engineered hybrids as well as extinct animals?

Perhaps the key to all these questions can be found on the ceiling of this temple.  Usually the ceilings of temples contain complex cymatic patterns, but when I look at the ceiling of this temple, there is something out of the ordinary, there is not much light in this area.. but do you see what it is? Does it have the answer to this important question:  Were ancient builders capable of Time Travel and Interstellar Travel?

Praveen Mohan